[musicians-guide/f14] l10n: Updates to Dutch (Flemish) (nl) translation
by Transifex System User 31 Jan '11
by Transifex System User 31 Jan '11
31 Jan '11
commit c91ee2ae99cad79f4ed92a2601c00ae0758d46f2
Author: warrink <warrink(a)fedoraproject.org>
Date: Mon Jan 31 15:22:18 2011 +0000
l10n: Updates to Dutch (Flemish) (nl) translation
Transmitted-via: Transifex (translate.fedoraproject.org)
nl-NL/Digital_Audio_Workstations.po | 403 ++++++++++++++++++++++++++++++-----
1 files changed, 346 insertions(+), 57 deletions(-)
---
diff --git a/nl-NL/Digital_Audio_Workstations.po b/nl-NL/Digital_Audio_Workstations.po
index 11e5e94..98b6126 100644
--- a/nl-NL/Digital_Audio_Workstations.po
+++ b/nl-NL/Digital_Audio_Workstations.po
@@ -1,519 +1,808 @@
-#
# AUTHOR <EMAIL@ADDRESS>, YEAR.
-#
+# Geert Warrink <geert.warrink(a)onsnet.nu>, 2011.
msgid ""
msgstr ""
"Project-Id-Version: 0\n"
"POT-Creation-Date: 2010-11-02T04:33:08\n"
-"PO-Revision-Date: 2010-09-07T21:06:59\n"
-"Last-Translator: Automatically generated\n"
-"Language-Team: None\n"
-"Language: \n"
+"PO-Revision-Date: 2011-01-31 16:21+0200\n"
+"Last-Translator: Geert Warrink <geert.warrink(a)onsnet.nu>\n"
+"Language-Team: Fedora\n"
+"Language: nl\n"
"MIME-Version: 1.0\n"
"Content-Type: application/x-publican; charset=UTF-8\n"
"Content-Transfer-Encoding: 8bit\n"
+"Plural-Forms: nplurals=2; plural=(n != 1);\n"
+"X-Generator: Virtaal 0.6.1\n"
#. Tag: title
#, no-c-format
msgid "Digital Audio Workstations"
-msgstr ""
+msgstr "Digitale audio werkstations"
#. Tag: para
#, no-c-format
msgid "The term <firstterm>Digital Audio Workstation</firstterm> (henceforth <firstterm>DAW</firstterm>) refers to the entire hardware and software setup used for professional (or professional-quality) audio recording, manipulation, synthesis, and production. It originally referred to devices purpose-built for the task, but as personal computers have become more powerful and wide-spread, certain specially-designed personal computers can also be thought of as DAWs. The software running on these computers, especially software capable of multi-track recording, playback, and synthesis, is simply called \"DAW software,\" which is often shortened to \"DAW.\" So, the term \"DAW\" and its usage are moderately ambiguous, but generally refer to one of the things mentioned."
msgstr ""
+"De term <firstterm>digitaal audio werkstation</firstterm> (voortaan "
+"<firstterm>DAW</firstterm>) verwijst naar de volledige hardware en software "
+"opstelling gebruikt voor professionele (of professionele kwaliteit) opname, "
+"manipulatie, synthese en productie van audio. Het refereerde oorspronkelijk "
+"naar speciaal voor deze taak gebouwde apparaten, maar omdat personal "
+"computers krachtiger en wijdverbreid geworden zijn, kunnen bepaalde speciaal "
+"ontworpen personal computers ook kan DAW's beschouwd worden. De software "
+"die op deze computers draait, met name software geschikt voor multi-track "
+"opnemen, afspelen en synthese, heet gewoonlijk \"DAW software\", war vaak "
+"afgekort wordt tot \"DAW\". Dus de term \"DAW\" en het gebruik ervan zijn een "
+"beetje dubbelzinnig, maar over het algemeen verwijzen ze naar een van de "
+"genoemde dingen."
#. Tag: para
#, no-c-format
msgid "For other terms related to digital audio, see <xref linkend=\"chap-Musicians_Guide-Sound_Cards\" />."
msgstr ""
+"Voor andere terminologie gerelateerd aan digitale audio, refereer je naar "
+"<xref linkend=\"chap-Musicians_Guide-Sound_Cards\" />."
#. Tag: title
#, no-c-format
msgid "Knowing Which DAW to Use"
-msgstr ""
+msgstr "Welke DAW moet je gebruiken"
#. Tag: para
#, no-c-format
msgid "The Musicians' Guide covers three widely-used DAWs: <application>Ardour</application>, <application>Qtractor</application>, and <application>Rosegarden</application>. All three use <systemitem>JACK</systemitem> extensively, are highly configurable, share a similar user interface, and allow users to work with both audio and MIDI signals. Many other DAWs exist, including a wide selection of commercially-available solutions. Here is a brief description of the programs documented in the Musicians' Guide:"
msgstr ""
+"De Musici gids behandelt drie veel gebruikte DAW's: "
+"<application>Ardour</application>, <application>Qtractor</application> en "
+"<application>Rosegarden</application>. Alle drie gebruiken "
+"<systemitem>JACK</systemitem> uitgebreid, zijn zeer configureerbaar, delen "
+"van een vergelijkbare gebruikersinterface en staan gebruikers toe om te "
+"werken met zowel audio als MIDI signalen. Er bestaan vele andere DAW's, "
+"inclusief een brede selectie van commercieel beschikbare oplossingen. Hier "
+"is een korte beschrijving van de programma's beschreven in de Musici gids:"
#. Tag: para
#, no-c-format
msgid "<application>Ardour</application> is the open-source standard for audio manipulation. Flexible and extensible."
msgstr ""
+"<application>Ardour</application> is de open-bron standaard voor audio "
+"manipulatie. Flexibel en uitbreidbaar."
#. Tag: para
#, no-c-format
msgid "<application>Qtractor</application> is a relative new-comer, but easy to use; a \"lean and mean,\" MIDI-focused DAW. Available from Planet CCRMA at Home or RPM Fusion."
msgstr ""
+"<application>Qtractor</application> is een relatieve nieuwkomer, maar "
+"eenvoudig te gebruiken; een \"lean and-mean\", op MIDI gerichte DAW. "
+"Beschikbaar van Planet CCRMA at Home of RPM Fusion."
#. Tag: para
#, no-c-format
msgid "<application>Rosegarden</application> is a well-tested, feature-packed workhorse of Linux audio, especially MIDI. Includes a visual score editor for creating MIDI tracks."
msgstr ""
+"<application>Rosegarden</application> is een goed getest werkpaard voor "
+"Linux audio vol met functies, met name MIDI. Het bevat een visuele score "
+"editor voor het maken van MIDI tracks."
#. Tag: para
#, no-c-format
msgid "If you are unsure of where to start, then you may not need a DAW at all:"
msgstr ""
+"Als je er niet zeker van bent waar je moet beginnen, heb je misschien "
+"helemaal geen DAW nodig:"
#. Tag: para
#, no-c-format
msgid "If you are looking for a high-quality recording application, or a tool for manipulating one audio file at a time, then you would probably be better off with <application>Audacity</application>. This will be the choice of most computer users, especially those new to computer audio, or looking for a quick solution requiring little specialized knowledge. <application>Audacity</application> is also a good way to get your first computer audio experiences, specifically because it is easier to use than most other audio software."
msgstr ""
+"Als je op zoek bent naar een hoge kwaliteit opname toepassing of een "
+"gereedschap voor het manipuleren van een enkel audiobestand per keer, dan "
+"ben je waarschijnlijk beter af met <application>Audacity</application>. Dit "
+"zal de keuze zijn van de meeste computer gebruikers, met name degenen die "
+"nieuw zijn in computer audio, of op zoek zijn naar een snelle oplossing die "
+"weinig gespecialiseerde kennis vereist. <application>Audacity</application> "
+"is ook een goede manier om jouw eerste computer audio ervaringen op te doen, "
+"juist omdat het gemakkelijker te gebruiken is dan de meeste andere audio "
+"software."
#. Tag: para
#, no-c-format
msgid "To take full advantage of the features offered by <application>Ardour</application>, <application>Qtractor</application>, and <application>Rosegarden</application>, your computer should be equipped with professional-quality audio equipment, including an after-market audio interface and input devices like microphones. If you do not have access to such equipment, then Audacity may be a better choice for you."
msgstr ""
+"Om optimaal te profiteren van de functies geboden door "
+"<application>Ardour</application>, <application>Qtractor</application> en "
+"<application>Rosegarden</application>, moet jouw computer voorzien zijn van "
+"professionele kwaliteit audioapparatuur, inclusief een aftermarket audio "
+"interface en input apparaten zoals microfoons. Als je geen toegang tot "
+"dergelijke apparatuur hebt, dan kan Audacity een betere keuze voor jou zijn."
#. Tag: para
#, no-c-format
msgid "If you are simply hoping to create a \"MIDI recording\" of some sheet music, you are probably better off using <application>LilyPond</application>. This program is designed primarily to create printable sheet music, but it will produce a MIDI-format version of a score if you include the following command in the <literal>score</literal> section of your <application>LilyPond</application> source file: <code>\\midi { }</code>. There are a selection of options that can be put in the <literal>midi</literal> section; refer to the <application>LilyPond</application> help files for a listing."
msgstr ""
+"Als je gewoon een \"MIDI opname\" van bladmuziek wilt maken, ben je "
+"waarschijnlijk beter af met <application>LilyPond</application>. Dit "
+"programma is voornamelijk ontworpen om afdrukbare bladmuziek te maken, maar "
+"het zal een MIDI formaat versie van een score maken als je het volgende "
+"commando toevoegt in de <literal>score</literal> sectie van jouw "
+"<application>LilyPond</application> bron bestand: <code>\\midi { }</code>. Er "
+"zijn een aantal opties die in de <literal>midi</literal> sectie geplaatst "
+"kunnen worden; refereer naar de <application>LilyPond</application> hulp "
+"bestanden voor een overzicht."
#. Tag: title
#, no-c-format
msgid "Stages of Recording"
-msgstr ""
+msgstr "Stadia van opnemen"
#. Tag: para
#, no-c-format
msgid "There are three main stages involved in the the process of recording something and preparing it for listeners: recording, mixing, and mastering. Each step of the process has distinct characteristics, yet they can sometimes be mixed together."
msgstr ""
+"Er zijn drie belangrijke stadia betrokken bij het proces van iets opnemen en "
+"voorbereiden voor luisteraars: opnemen, mixen en masteren. Elke stap van "
+"het proces heeft verschillende kenmerken, maar ze kunnen soms vermengd "
+"worden."
#. Tag: title
#, no-c-format
msgid "Recording"
-msgstr ""
+msgstr "Opnemen"
#. Tag: para
#, no-c-format
msgid "Recording is the process of capturing audio regions (also called \"clips\" or \"segments\") into the DAW software, for later processing. Recording is a complex process, involving a microphone that captures sound energy, translates it into electrical energy, and transmits it to an audio interface. The audio interface converts the electrical energy into digital signals, and sends it through the operating system to the DAW software. The DAW stores regions in memory and on the hard drive as required. Every time the musicians perform some (or all) of the performance to be recorded, while the DAW is recording, it is considered to be a <firstterm>take</firstterm>. A successful recording usually requires several takes, due to the inconsistencies of musical performance and of the related technological aspects."
msgstr ""
+"Opnemen is het proces van het vast leggen van audio regio's (ook wel \"clips\" "
+"of \"segmenten\" genoemd) in de DAW software voor latere verwerking. Opnemen "
+"is een complex proces, waarbij een microfoon betrokken is die geluidsenergie "
+"opvangt, dit vertaalt in elektrische energie en dit doorstuurt naar een "
+"audio interface. De audio interface zet de elektrische energie om in "
+"digitale signalen en stuurt deze via het besturingssysteem naar de DAW "
+"software. De DAW slaat regio's op in het geheugen en de harde schijf zoals "
+"vereist. Elke keer als de muzikanten een deel (of het gehele) van het op te "
+"nemen muziekstuk uitvoeren, terwijl de DAW dit opneemt, wordt als een "
+"<firstterm>opname</firstterm> beschouwd. Een succesvolle geluidsopname "
+"vereist meestal verscheidene opnames, wegens de inconsistenties van muzikale "
+"prestaties en de daarmee samenhangende technologische aspecten."
#. Tag: title
#, no-c-format
msgid "Mixing"
-msgstr ""
+msgstr "Mixen"
#. Tag: para
#, no-c-format
msgid "Mixing is the process through which recorded audio regions (also called \"clips\") are coordinated to produce an aesthetically-appealing musical output. This usually takes place after recording, but sometimes additional takes will be needed. Mixing often involves reducing audio from multiple tracks into two channels, for stereo audio - a process known as \"down-mixing,\" because it decreases the amount of audio data."
msgstr ""
+"Mixen is het proces waarmee opgenomen audio regio's (ook wel \"clips\" "
+"genoemd) gecoördineerd worden om een esthetisch aantrekkelijke muzikale "
+"output te produceren. Dit vindt meestal plaats na de geluidsopname, maar "
+"soms zullen extra opnames nodig zijn. Mixen houdt vaak het reduceren van "
+"audio uit meerdere tracks naar twee kanalen voor stereo audio in - een "
+"proces dat bekend staat als \"down-mixen\", omdat het de hoeveelheid audio "
+"data vermindert."
#. Tag: para
#, no-c-format
msgid "Mixing includes the following procedures, among others:"
-msgstr ""
+msgstr "Mixen omvat onder andere de volgende procedures:"
#. Tag: para
#, no-c-format
msgid "automating effects,"
-msgstr ""
+msgstr "efecten automatiseren,"
#. Tag: para
#, no-c-format
msgid "adjusting levels,"
-msgstr ""
+msgstr "niveaus aanpassen,"
#. Tag: para
#, no-c-format
msgid "time-shifting,"
-msgstr ""
+msgstr "tijd verschuiven,"
#. Tag: para
#, no-c-format
msgid "filtering,"
-msgstr ""
+msgstr "filteren,"
#. Tag: para
#, no-c-format
msgid "panning,"
-msgstr ""
+msgstr "pannen,"
#. Tag: para
#, no-c-format
msgid "adding special effects."
-msgstr ""
+msgstr "speciale effecten toevoegen."
#. Tag: para
#, no-c-format
msgid "When the person performing the mixing decides that they have finished, their finalized production is called the <firstterm>final mix</firstterm>."
msgstr ""
+"Wanneer de persoon die het mixen uitvoert besluit dat het af is, dan wordt "
+"de uiteindelijke productie de <firstterm>final mix</firstterm> genoemd."
#. Tag: title
#, no-c-format
msgid "Mastering"
-msgstr ""
+msgstr "Masteren"
#. Tag: para
#, no-c-format
msgid "Mastering is the process through which a version of the final mix is prepared for distribution and listening. Mastering can be performed for many target formats, including CD, tape, SuperAudio CD, or hard drive. Mastering often involves a reduction in the information available in an audio file: audio CDs are commonly recorded with 20- or 24-bit samples, for example, and reduced to 16-bit samples during mastering. While most physical formats (like CDs) also specify the audio signal's format, audio recordings mastered to hard drive can take on many formats, including OGG, FLAC, AIFF, MP3, and many others. This allows the person doing the mastering some flexibility in choosing the quality and file size of the resulting audio."
msgstr ""
+"Masteren is het proces waarbij een versie van de final mix voorbereid wordt "
+"voor distributie en beluisteren. Masteren kan uitgevoerd worden voor vele "
+"doel formaten, inclusief CD, tape, SuperAudio CD of harde schijf. Masteren "
+"omvat vaak een vermindering van de informatie die beschikbaar is in een "
+"audio bestand: audio CD's zijn bijvoorbeeld vaak opgenomen met 20- of 24-bit "
+"monsters, en worden gereduceerd naar 16-bit monsters tijdens het masteren. "
+"Terwijl de meeste fysieke formaten (zoals CD's) ook het formaat van het "
+"geluidssignaal specificeren, kunnen audio opnames gemasterd voorr harde "
+"schijf vele formaten hebben, inclusief OGG, FLAC, AIFF, MP3, en vele "
+"anderen. Hierdoor heeft de persoon die de mastering uitvoert enige "
+"flexibiliteit bij de keuze van de kwaliteit en bestandsgrootte van de "
+"resulterende audio."
#. Tag: para
#, no-c-format
msgid "Even though they are both distinct activities, mixing and mastering sometimes use the same techniques. For example, a mastering technician might apply a specific equalization filter to optimize the audio for a particular physical medium."
msgstr ""
+"Hoewel ze beide afzonderlijke activiteiten zijn, gebruiken mixen en masteren "
+"soms dezelfde technieken. Bijvoorbeeld, een mastering technicus kan een "
+"specifiek egalisatie filter toepassen voor het optimaliseren van de audio "
+"voor een bepaald fysiek medium."
#. Tag: title
#, no-c-format
msgid "More Information"
-msgstr ""
+msgstr "Meer informatie"
#. Tag: para
#, no-c-format
msgid "It takes experience and practice to gain the skills involved in successful recording, mixing, and mastering. Further information about these procedures is available from many places, including these web pages:"
msgstr ""
+"Het vergt ervaring en praktijk om de vaardigheden die betrokken zijn bij "
+"succesvol opnemen, mixen en masteren te verkrijgen. Meer informatie over "
+"deze procedures is beschikbaar op vele plaatsen, inclusief deze webpagina's:"
#. Tag: para
#, no-c-format
msgid "<citetitle>Mastering Your Final Mix (64studio)</citetitle>, available at <ulink url=\"http://www.64studio.com/howto-mastering\" />."
msgstr ""
+"<citetitle>Mastering Your Final Mix (64studio)</citetitle>, beschikbaar op "
+"<ulink url=\"http://www.64studio.com/howto-mastering\" />."
#. Tag: para
#, no-c-format
msgid "<citetitle>Audio Mixing (Wikipedia)</citetitle>, available at <ulink url=\"http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29\" />."
msgstr ""
+"<citetitle>Audio Mixing (Wikipedia)</citetitle>, beschikbaar op <ulink "
+"url=\"http://en.wikipedia.org/wiki/Audio_mixing_%28recorded_music%29\" />."
#. Tag: para
#, no-c-format
msgid "<citetitle>Multitrack Recording (Wikipedia)</citetitle>, available at <ulink url=\"http://en.wikipedia.org/wiki/Multitrack_recording\" />."
msgstr ""
+"<citetitle>Multitrack Recording (Wikipedia)</citetitle>, beschikbaar op "
+"<ulink url=\"http://en.wikipedia.org/wiki/Multitrack_recording\" />."
#. Tag: title
#, no-c-format
msgid "Interface Vocabulary"
-msgstr ""
+msgstr "Interface woordenschat"
#. Tag: para
#, no-c-format
msgid "Understanding these concepts is essential to understanding how to use the DAW software's interface."
msgstr ""
+"Het begrijpen van deze concepten is essentieel om te begrijpen hoe de "
+"interface van de DAW software gebruikt kan worden."
#. Tag: title
#, no-c-format
msgid "Session"
-msgstr ""
+msgstr "Sessie"
#. Tag: para
#, no-c-format
msgid "A <firstterm>session</firstterm> is all of the tracks, regions, automation settings, and everything else that goes along with one \"file\" saved by the DAW software. Some software DAWs manage to hide the entire session within one file, but others instead create a new directory to hold the regions and other data."
msgstr ""
+"Een <firstterm>sessie</firstterm> bestaat uit alle tracks, regio's, "
+"automatische instellingen en al het andere wat bij een \"bestand\" hoort "
+"opgeslagen door de DAW software. Sommige software DAW's slagen erin om de "
+"hele sessie in een bestand te verbergen, maar andere maken in plaats daarvan "
+"een nieuwe map voor de regio's en andere data."
#. Tag: para
#, no-c-format
msgid "Typically, one session is used to hold an entire recording session; it is broken up into individual songs or movements after recording. Sometimes, as in the tutorial examples with the Musicians' Guide, one session holds only one song or movement. There is no strict rule as to how much music should be held within one session, so your personal preference can determine what you do here."
msgstr ""
+"Een sessie wordt meestal gebruikt om een volledige opnamesessie te bevatten; "
+"het is opgedeeld in afzonderlijke nummers of bewegingen na de opname. Soms, "
+"zoals in de handleiding voorbeelden van de Musici gids bevat een sessie "
+"slechts één nummer of beweging. Er is geen strikte regel hoe veel muziek in "
+"één sessie bewaard moet worden, dus jouw persoonlijke voorkeur kan bepalen "
+"wat je hier doet."
#. Tag: title
#, no-c-format
msgid "A session in Ardour"
-msgstr ""
+msgstr "Een sessie in Ardour"
#. Tag: para
#, no-c-format
msgid "A session in Ardour, containing multiple instrumental tracks."
-msgstr ""
+msgstr "Een sessie in Ardour, met meerdere instrumentale tracks."
#. Tag: title
#, no-c-format
msgid "Track and Multitrack"
-msgstr ""
+msgstr "Track en Multitrack "
#. Tag: para
#, no-c-format
msgid "A <firstterm>track</firstterm> represents one channel, or a predetermined collection of simultaneous, inseparable channels (as is often the case with stereo audio). In the DAW's main window, tracks are usually represented as rows, whereas time is represented by columns. A track may hold multiple regions, but usually only one of those regions can be heard at a time. The <firstterm>multitrack</firstterm> capability of modern software-based DAWs is one of the reasons for their success. Although each individual track can play only one region at a time, the use of multiple tracks allows the DAW's outputted audio to contain a virtually unlimited number of simultaneous regions. The most powerful aspect of this is that audio does not have to be recorded simultaneously in order to be played back simultaneously; you could sing a duet with yourself, for example."
msgstr ""
+"Een <firstterm>track</firstterm> vertegenwoordigt één kanaal, of een vooraf "
+"gedefinieerde verzameling van gelijktijdige, onlosmakelijk met elkaar "
+"verbonden kanalen (zoals vaak het geval met stereo audio). In het hoofd "
+"venster van de DAW worden tracks meestal gerepresenteerd als rijen, terwijl "
+"de tijd weergegeven wordt door kolommen. Een track kan meerdere regio's "
+"bevatten, maar meestal kan slechts één van die regio's gehoord worden op een "
+"tijdstip. De <firstterm>multitrack</firstterm> mogelijkheid van moderne "
+"software-gebaseerde DAW's is een van de redenen voor hun succes. Hoewel elke "
+"afzonderlijke track slechts één regio tegelijk kan spelen, staat het "
+"gebruik van meerdere tracks de audio output van de DAW een vrijwel onbeperkt "
+"aantal gelijktijdige regio's te bevatten. Het meest krachtige aspect "
+"hiervan is dat de audio niet tegelijkertijd opgenomen hoeft te worden om "
+"tegelijkertijd afgespeeld te worden; je kunt bijvoorbeeld een duet met "
+"jezelf zingen."
#. Tag: title
#, no-c-format
msgid "A track in Ardour"
-msgstr ""
+msgstr "Een track in Ardour"
#. Tag: para
#, no-c-format
msgid "A track in Ardour, containing a single region amid a period of silence during which this instrument is not heard."
msgstr ""
+"Een track in Ardour, met een enkele regio te midden van een periode van "
+"stilte waarin dit instrument niet te horen is."
#. Tag: title
#, no-c-format
msgid "Region, Clip, or Segment"
-msgstr ""
+msgstr "Regio, clip of segment"
#. Tag: para
#, no-c-format
msgid "Region, clip, and segment are synonyms: different software uses a different word to refer to the same thing. A x<firstterm>multitrack</firstterm> (or <firstterm>clip</firstterm> or <firstterm>segment</firstterm>) is the portion of audio recorded into one track during one take. Regions are represented in the main DAW interface window as a rectangle, usually coloured, and always contained in only one track. Regions containing audio signal data usually display a spectrographic representation of that data. Regions containing MIDI signal data usually displayed as matrix-based representation of that data."
msgstr ""
+"Regio, clip en segment zijn synoniemen: verschillende software maakt gebruik "
+"van een ander woord om te refereren naar het zelfde ding. Een "
+"x<firstterm>multitrack</firstterm> (of <firstterm>clip</firstterm> of "
+"<firstterm>segment</firstterm>) is het gedeelte van de audio opgenomen in "
+"één track tijdens één opname. Regio's worden het hoofdvenster van de DAW "
+"interface gerepresenteerd als een rechthoek, meestal gekleurd, en bevat "
+"altijd slechts één track. Regio's met audiosignaal data laten meestal een "
+"spectrografische weergave van die data zien. Regio's met MIDI signaal data "
+"worden meestal weergegeven als een matrix-gebaseerde representatie van die "
+"data."
#. Tag: para
#, no-c-format
msgid "For the three DAW applications in the Musicians' Guide:"
-msgstr ""
+msgstr "Voor de drie DAW toepassingen in de Musici gids:"
#. Tag: para
#, no-c-format
msgid "<application>Ardour</application> calls them \"regions,\""
-msgstr ""
+msgstr "noemt <application>Ardour</application> ze \"regio's\","
#. Tag: para
#, no-c-format
msgid "<application>Qtractor</application> calls them \"clips,\" and,"
-msgstr ""
+msgstr "noemt <application>Qtractor</application> ze \"clips\" en"
#. Tag: para
#, no-c-format
msgid "<application>Rosegarden</application> calls them \"segments.\""
-msgstr ""
+msgstr "noemt <application>Rosegarden</application> ze \"segmenten\","
#. Tag: title
#, no-c-format
msgid "A region in Ardour"
-msgstr ""
+msgstr "Een regio in Ardour"
#. Tag: para
#, no-c-format
msgid "A region in Ardour."
-msgstr ""
+msgstr "Een regio in Ardour."
#. Tag: title
#, no-c-format
msgid "Transport and Playhead"
-msgstr ""
+msgstr "Transport en afspeelkop"
#. Tag: para
#, no-c-format
msgid "The <firstterm>transport</firstterm> is responsible for managing the current time in a session, and with it the playhead. The <firstterm>playhead</firstterm> marks the point on the timeline from where audio audio would be played, or to where audio would be recorded. The transport controls the playhead, and whether it is set for recording or only playback. The transport can move the playhead forward or backward, in slow motion, fast motion, or real time. In most computer-based DAWs, the playhead can also be moved with the cursor. The playhead is represented on the DAW interface as a vertical line through all tracks. The transport's buttons and displays are usually located in a toolbar at the top of the DAW window, but some people prefer to have the transport controls detached from the main interface, and this is how they appear by default in Rosegarden."
msgstr ""
+"Het <firstterm>transport</firstterm> is verantwoordelijk voor het beheeren "
+"van de huidige tijd in een sessie en daarmee ook de afspeelkop. De "
+"<firstterm>afspeelkop</firstterm> markeert het punt op de tijdlijn waarvan "
+"audio afgespeeld zou worden, of waar audio opgenomen zou worden. Het "
+"transport controleert de afspeelkop en bepaalt of het ingesteld is voor "
+"opname of alleen weergave. Het transport kan de afspeelkop naar voren of "
+"naar achteren verplaatsen, in slow motion, versneld of real-time. In de "
+"meeste computer-gebaseerde DAW's, kan de afspeelkop ook verplaatst worden "
+"met de cursor. De afspeelkop wordt weergegeven op de DAW interface als een "
+"verticale lijn die door alle tracks loopt. De transport knoppen en schermen "
+"bevinden zich meestal in een werkbalk bovenin het venster van de DAW, maar "
+"sommige mensen geven er de voorkeur aan om de transport knoppen los te "
+"koppelen van de hoofdinterface, en dat is hoe ze standaard in Rosegarden "
+"weergegeven worden."
#. Tag: title
#, no-c-format
msgid "Automation"
-msgstr ""
+msgstr "Automatiseren"
#. Tag: para
#, no-c-format
msgid "Automation of the DAW sounds like it might be an advanced topic, or something used to replace decisions made by a human. This is absolutely not the case - <firstterm>automation</firstterm> allows the user to automatically make the same adjustments every time a session is played. This is superior to manual-only control because it allows very precise, gradual, and consistent adjustments, because it relieves you of having to remember the adjustments, and because it allows many more adjustments to be made simultaneously than you could make manually. The reality is that automation allows super-human control of a session. Most settings can be adjusted by means of automation; the most common are the fader and the panner."
msgstr ""
+"Automatiseren van de DAW klinkt alsof dat een geavanceerd onderwerp zou "
+"zijn, of iets dat gebruikt wordt ter vervanging van menselijke beslissingen. "
+"Dat is absoluut niet het geval - <firstterm>automatiseren</firstterm> laat "
+"de gebruiker automatisch de dezelfde aanpassingen maken elke keer als een "
+"sessie gespeeld wordt. Dit is superieur aan alleen handmatige controle omdat "
+"het zeer nauwkeurige, geleidelijke en consistente aanpassingen mogelijk "
+"maakt, omdat het je verlost van het onthouden de aanpassingen, en omdat veel "
+"meer aanpassingen gelijktijdig gemaakt kunnen worden dan je handmatig kon "
+"doen. De realiteit is dat automatiseren een bovenmenselijke besturing van "
+"een sessie toestaat. De meeste instellingen kunnen worden aangepast door "
+"middel van automatisering; de meest voorkomende zijn de fader en de panner."
#. Tag: para
#, no-c-format
msgid "The most common method of automating a setting is with a two-dimensional graph called an <firstterm>envelope</firstterm>, which is drawn on top of an audio track, or underneath it in an <firstterm>automation track</firstterm>. The user adds adjustment points by adding and moving points on the graph. This method allows for complex, gradual changes of the setting, as well as simple, one-time changes. Automation is often controlled by means of MIDI signals, for both audio and MIDI tracks. This allows for external devices to adjust settings in the DAW, and vice-versa - you can actually automate your own hardware from within a software-based DAW! Of course, not all hardware supports this, so refer to your device's user manual."
msgstr ""
+"De meest voorkomende methode van het automatiseren van een instelling is met "
+"een tweedimensionale grafiek een <firstterm>envelop</firstterm> genaamd, "
+"die boven een audio track getekend wordt, of eronder in een "
+"<firstterm>automatisering track</firstterm>. De gebruiker voegt "
+"aanpassingspunten toe met het toevoegen en verplaatsen van punten in de "
+"grafiek. Deze methode laat complexe, geleidelijke veranderingen toe in de "
+"instelling, evenals eenvoudige, eenmalige veranderingen. Automatisering "
+"wordt vaak gecontroleerd met MIDI signalen, voor zowel audio als MIDI "
+"tracks. Dit zorgt ervoor dat externe apparaten de instellingen in de DAW "
+"kunnen aanpassen, en omgekeerd - je kunt in feite jouw eigen hardware "
+"automatiseren vanuit een software-gebaseerde DAW! Natuurlijk, niet alle "
+"hardware ondersteunt dit, dus raadpleeg gebruikershandleiding van jouw "
+"apparaat."
#. Tag: title
#, no-c-format
msgid "User Interface"
-msgstr ""
+msgstr "Gebruikersinterface"
#. Tag: para
#, no-c-format
msgid "This section describes various components of software-based DAW interfaces. Although the <application>Qtractor</application> application is visible in the images, both <application>Ardour</application> and <application>Rosegarden</application> (along with most other DAW software) have an interface that differs only in details, such as which buttons are located where."
msgstr ""
+"Deze paragraaf beschrijft verschillende onderdelen van software-gebaseerde "
+"DAW interfaces. Hoewel de <application>Qtractor</application> toepassing in "
+"de afbeeldingen getoond wordt, hebben zowel "
+"<application>Ardour</application> als <application>Rosegarden</application> "
+"(samen met de meeste andere DAW software) een interface die alleen in "
+"details verschilt, zoals welke knoppen zich waar bevinden."
#. Tag: title
#, no-c-format
msgid "Messages Pane"
-msgstr ""
+msgstr "Boodschappen venster"
#. Tag: title
#, no-c-format
msgid "The Qtractor messages pane"
-msgstr ""
+msgstr "Het Qtractor boodschappen venster"
#. Tag: para
#, no-c-format
msgid "The messages pane at the bottom of the Qtractor window."
-msgstr ""
+msgstr "Het boodschappen deelvenster aan de onderkant van het Qtractor venster."
#. Tag: para
#, no-c-format
msgid "The <guilabel>messages</guilabel> pane, shown in <xref linkend=\"qtractor_messages\" />, contains messages produced by the DAW, and sometimes messages produced by software used by the DAW, such as <systemitem>JACK</systemitem>. If an error occurs, or if the DAW does not perform as expected, you should check the <guilabel>messages</guilabel> pane for information that may help you to get the desired results. The <guilabel>messages</guilabel> pane can also be used to determine whether <systemitem>JACK</systemitem> and the DAW were started successfully, with the options you prefer."
msgstr ""
+"Het <guilabel>boodschappen</guilabel> venster, afgebeeld in <xref "
+"linkend=\"qtractor_messages\" />, bevat boodschappen geproduceerd door de DAW "
+"en soms boodschappen geproduceerd door de software die door de DAW gebruikt "
+"wordt, zoals <systemitem>JACK</systemitem>. Als een fout optreedt, of als de "
+"DAW niet presteert zoals verwacht, moet je het "
+"<guilabel>boodschappen</guilabel> venster controleren voor informatie die je "
+"kan helpen om de gewenste resultaten te krijgen. Het "
+"<guilabel>boodschappen</guilabel> venster kan ook gebruikt worden om te "
+"bepalen of <systemitem>JACK</systemitem> en de DAW met succes werden gestart "
+"met de opties die je verkoos."
#. Tag: title
#, no-c-format
msgid "Clock"
-msgstr ""
+msgstr "Klok"
#. Tag: title
#, no-c-format
msgid "The Qtractor clock"
-msgstr ""
+msgstr "De Qtractor klok"
#. Tag: para
#, no-c-format
msgid "The clock in the Qtractor window."
-msgstr ""
+msgstr "De klok in het Qtractor venster."
#. Tag: para
#, no-c-format
msgid "The clock shows the current place in the file, as indicated by the transport. In <xref linkend=\"qtractor_clocks\" />, you can see that the transport is at the beginning of the session, so the clock indicates <literal>0</literal>. This clock is configured to show time in minutes and seconds, so it is a <firstterm>time clock</firstterm>. Other possible settings for clocks are to show <firstterm>BBT</firstterm> (bars, beats, and ticks — a <firstterm>MIDI clock</firstterm>), samples (a <firstterm>sample clock</firstterm>), or an <firstterm>SMPTE timecode</firstterm> (used for high-precision synchronization, usually with video — a <firstterm>timecode clock</firstterm>). Some DAWs allow the use of multiple clocks simultaneously."
msgstr ""
+"De klok toont de huidige plaats in het bestand, zoals aangegeven door het "
+"transport. In <xref linkend=\"qtractor_clocks\" /> zie je dat het transport "
+"aan het begin van de sessie is, dus de klok geeft <literal>0</literal> aan. "
+"Deze klok is geconfigureerd om de tijd in minuten en seconden te tonen, het "
+"is dus een <firstterm>tijdklok</firstterm>. Andere mogelijke instellingen "
+"voor klokken zijn om <firstterm>BBT</firstterm> (bars, beats en ticks — een "
+"<firstterm>MIDI klok</firstterm>), monsters (een <firstterm>monster "
+"klok</firstterm>) of een <firstterm>SMPTE timecode</firstterm> (gebruikt "
+"voor de hoge precisie synchronisatie, meestal met video — een "
+"<firstterm>tijdcode klok</firstterm>). Sommige DAW's staan het gebruik van "
+"meerdere klokken tegelijk toe."
#. Tag: para
#, no-c-format
msgid "Note that this particular time clock in <application>Qtractor</application> also offers information about the MIDI tempo and metre (120.0 beats per minute, and 4/4 metre), along with a quantization setting for MIDI recording."
msgstr ""
+"Merk op dat deze bijzondere tijdklok in <application>Qtractor</application> "
+"ook informatie geeft over het MIDI tempo en metrum (120.0 slagen per minuut, "
+"en 4/4 metrum), samen met een quantisatie instelling voor MIDI opname."
#. Tag: title
#, no-c-format
msgid "Track Info Pane"
-msgstr ""
+msgstr "Track info venster"
#. Tag: title
#, no-c-format
msgid "The Qtractor track info pane"
-msgstr ""
+msgstr "Het Qtractor track info venster"
#. Tag: para
#, no-c-format
msgid "The track info pane in the Qtractor window."
-msgstr ""
+msgstr "De track info deelvenster in het Qtractor venster."
#. Tag: para
#, no-c-format
msgid "The track info pane: note a separate track info space for each of the two tracks that appear in the pane to the right."
msgstr ""
+"Het track info venster: merk een aparte track info ruimte op voor elk van de "
+"twee tracks die verschijnen rechts in het venster rechts gegeven."
#. Tag: para
#, no-c-format
msgid "The <firstterm>track info</firstterm> pane contains information and settings for each track and bus in the session. Here, you can usually adjust settings like the routing of a track's or bus' input and output routing, the instrument, bank, program, and channel of MIDI tracks, and the three buttons shown in <xref linkend=\"qtractor_track_info\" />: <guibutton>R</guibutton> for \"arm to record,\" <guibutton>M</guibutton> for \"mute/silence track's output,\" and <guibutton>S</guibutton> for \"solo mode,\" where only the selected tracks and busses are heard."
msgstr ""
+"Het <firstterm>track info</firstterm> venster bevat informatie en "
+"instellingen voor elke track en bus in de sessie. Hier kun je meestal "
+"instellingen aanpassen zoals de routering van de input van een track of een "
+"bus en output routering, de instrument, bank, programma en kanaal van de "
+"MIDI tracks en de drie knoppen getoond <xref linkend=\"qtractor_track_info\" "
+"/>: <guibutton>R</guibutton> voor \"klaar maken voor opname\", "
+"<guibutton>M</guibutton> voor \"mute/stilte output van track\" en "
+"<guibutton>S</guibutton> voor \"solo mode,\" waarbij alleen de geselecteerde "
+"tracks en bussen gehoord worden."
#. Tag: para
#, no-c-format
msgid "The information provided, and the layout of buttons, can change dramatically between DAWs, but they all offer the same basic functionality. Often, right-clicking on a track info box will give access to extended configuration options. Left-clicking on a portion of the track info box that is not a button allows you to select a track without selecting a particular moment in <firstterm>track pane</firstterm>."
msgstr ""
+"De verstrekte informatie, en de indeling van knoppen, kan behoorlijk "
+"wijzigen tussen DAW's, maar ze bieden allemaal dezelfde basis "
+"functionaliteit. Vaak zal rechts klikken op een track info venster toegang "
+"geven tot uitgebreide configuratie opties. Links klikken op een gedeelte van "
+"het track info venster dat geen knop is laat je track selecteren zonder een "
+"bepaald moment in het <firstterm>track venster</firstterm> te selecteren."
#. Tag: para
#, no-c-format
msgid "The track info pane does not scroll out of view as the track pane is adjusted, but is independent."
msgstr ""
+"Het track info venster schuift niet uit het zicht als het track venster "
+"aangepast wordt, het is hier onafhankelijk van."
#. Tag: title
#, no-c-format
msgid "Track Pane"
-msgstr ""
+msgstr "Track venster"
#. Tag: title
#, no-c-format
msgid "The Qtractor track pane"
-msgstr ""
+msgstr "Het Qtractor track venster"
#. Tag: para
#, no-c-format
msgid "The track pane in the Qtractor window."
-msgstr ""
+msgstr "De track deelvenster in het Qtractor venster."
#. Tag: para
#, no-c-format
msgid "The <firstterm>ruler</firstterm>, set here to <firstterm>BBT</firstterm> (bars, beats, ticks)."
msgstr ""
+"De <firstterm>liniaal</firstterm> is hier ingesteld op "
+"<firstterm>BBT</firstterm> (bars, beats, ticks)."
#. Tag: para
#, no-c-format
msgid "Two tracks, presented as graphical representations. The horizontal axis repesents time."
msgstr ""
+"Twee tracks, gepresenteerd als grafische voorstellingen. De horizontale as "
+"geeft de tijd weer."
#. Tag: para
#, no-c-format
msgid "A MIDI <firstterm>clip</firstterm> (known as a <firstterm>region</firstterm> in other applications)"
msgstr ""
+"Een MIDI <firstterm>clip</firstterm> (bekend als een "
+"<firstterm>regio</firstterm> in andere toepassingen)"
#. Tag: para
#, no-c-format
msgid "An audio <firstterm>clip</firstterm> (known as a <firstterm>region</firstterm> in other applications)"
msgstr ""
+"Een audio <firstterm>clip</firstterm> (bekend als een "
+"<firstterm>regio</firstterm> in andere toepassingen)"
#. Tag: para
#, no-c-format
msgid "Scrollbar for the track pane; note that this pane scrolls independently."
msgstr ""
+"Schuifbalk voor het track venster; merk op dat dit venster onafhankelijk "
+"schuift."
#. Tag: para
#, no-c-format
msgid "The <firstterm>track pane</firstterm> is the main workspace in a DAW. It shows <firstterm>regions</firstterm> (also called <firstterm>clips</firstterm>) with a rough overview of the audio wave-form or MIDI notes, allows you to adjust the starting-time and length of regions, and also allows you to assign or re-assign a region to a track. The track pane shows the transport as a vertical line; in <xref linkend=\"qtractor_track\" /> it is the left-most red line in the track pane."
msgstr ""
+"Het <firstterm>track venster</firstterm> is de belangrijkste werkruimte in "
+"een DAW. Het toont <firstterm>regio's</firstterm> (ook "
+"<firstterm>clips</firstterm> genoemd) met een kort overzicht van de audio "
+"golfvorm of MIDI noten, het laat je de begintijd en lengte van regio's "
+"aanpassen en laat je ook een regio naar een track toekennen of opnieuw "
+"toekennen. Het track venster toont het transport als een verticale lijn; in "
+"<xref linkend=\"qtractor_track\" /> is het de meest linkse rode lijn in het "
+"track venster."
#. Tag: para
#, no-c-format
msgid "Scrolling the track pane horizontally allows you to view the regions throughout the session. The left-most point is the start of the session; the right-most point is after the end of the session. Most DAWs allow you to scroll well beyond the end of the session. Scrolling vertically in the track pane allows you to view the regions and tracks in a particular time range."
msgstr ""
+"Schuiven door het track venster laat je de regio's van de hele sessie zien. "
+"Het meest linkse punt is het begin van de sessie; het meest rechtse punt is "
+"na het einde van de sessie. De meeste DAW's laten je ver voorbij het einde "
+"van de sessie schuiven. Verticaal schuiven in het track venster laat je de "
+"regio's en de tracks in een bepaalde tijdreeks bekijken."
#. Tag: title
#, no-c-format
msgid "Transport Controls"
-msgstr ""
+msgstr "Transport knoppen"
#. Tag: title
#, no-c-format
msgid "The Qtractor transport controls"
-msgstr ""
+msgstr "De Qtractor transport knoppen"
#. Tag: para
#, no-c-format
msgid "The transport controls in the Qtractor window."
-msgstr ""
+msgstr "De transport knoppen in het Qtractor venster."
#. Tag: para
#, no-c-format
msgid "Transport skip to beginning"
-msgstr ""
+msgstr "Transport springt naar het begin"
#. Tag: para
#, no-c-format
msgid "Transport fast reverse"
-msgstr ""
+msgstr "Transport gaat snel terug"
#. Tag: para
#, no-c-format
msgid "Transport fast forward"
-msgstr ""
+msgstr "Transport gaat snel vooruit"
#. Tag: para
#, no-c-format
msgid "Transport skip to end"
-msgstr ""
+msgstr "Transport springt naar het einde"
#. Tag: para
#, no-c-format
msgid "Transport forward at real time"
-msgstr ""
+msgstr "Transport gaat in real-time naar voren"
#. Tag: para
#, no-c-format
msgid "Arm for recording"
-msgstr ""
+msgstr "Voorbereiden om op te nemen"
#. Tag: para
#, no-c-format
msgid "The transport controls allow you to manipulate the transport in various ways. The shape of the buttons is somewhat standardized; a similar-looking button will usually perform the same function in all DAWs, as well as in consumer electronic devices like CD players and DVD players."
msgstr ""
+"De transport knoppen laten je het transport op verschillende manieren "
+"manipuleren. De vorm van de knoppen is enigszins gestandaardiseerd; een "
+"soortgelijk uitziende knop zal meestal dezelfde functie uitvoeren in alle "
+"DAW's, evenals in consumenten elektronische apparaten zoals CD en DVD "
+"spelers."
#. Tag: para
#, no-c-format
msgid "The single, left-pointing arrow with a vertical line will move the transport to the start of the session, without playing or recording any material. In <application>Qtractor</application>, if there is a blue place-marker between the transport and the start of the session, the transport will skip to the blue place-marker. Press the button again to the next blue place-marker or the beginning of the session."
msgstr ""
+"De enkele naar links wijzende pijl met een verticale lijn zal het transport "
+"verplaatsen naar het begin van de sessie, zonder iets af te spelen of op te "
+"nemen. Als in <application>Qtractor</application> zich een blauwe "
+"plaatsmarkering bevindt tussen het transport en het begin van de sessie, dan "
+"zal het transport naar de blauwe plaatsmarkering springen. Druk opnieuw op "
+"de knop om naar de volgende blauwe plaatsmarkering of naar het begin van de "
+"sessie te springen."
#. Tag: para
#, no-c-format
msgid "The double left-pointing arrows move the transport in fast motion, towards the start of the session. The double right-pointing arrows move the transport in fast motion, towards the end of the session."
msgstr ""
+"De dubbele naar links wijzende pijl verplaatsen het transport met verhoogde "
+"snelheid naar het begin van de sessie. De dubbele naar rechts wijzende pijl "
+"verplaatsen het transport met verhoogde snelheid naar het einde van de "
+"sessie."
#. Tag: para
#, no-c-format
msgid "The single, right-pointing arrow with a vertical line will move the transport to the end of the last region currently in a session. In <application>Qtractor</application>, if there is a blue place-marker between the transport and the end of the last region in the session, the transport will skip to the blue place-marker. Press the button again to skip to the next blue place-marker or the end of the last region in the session."
msgstr ""
+"De enkele naar rechts wijzende pijl met een verticale lijn zal het transport "
+"verplaatsen naar het einde van de laatste regio in een sessie. Als in "
+"<application>Qtractor</application> zich een blauwe plaatsmarkering bevindt "
+"tussen het transport en het einde van de sessie, dan zal het transport naar "
+"de blauwe plaatsmarkering springen. Druk opnieuw op de knop om naar de "
+"volgende blauwe plaatsmarkering of naar het einde van de sessie te springen."
#. Tag: para
#, no-c-format
msgid "The single, right-pointing arrow is commonly called \"play,\" but it actually moves the transport forward in real-time. When it does this, if the transport is armed for recording, any armed tracks will record. Whether or not the transport is armed, pressing the \"play\" button causes all un-armed tracks to play all existing regions."
msgstr ""
+"De enkele naar rechts wijzende pijl wordt gewoonlijk \"Afspelen\" genoemd, "
+"maar het verplaatst eigenlijk het vervoer naar voren in real-time. Als het "
+"dit doet, en als het vervoer voorbereid is voor opname, zal elke voorbereide "
+"track gaan opnemen. Of het transport al dan niet voorbereid is, het drukken "
+"op de \"Afspeel\" knop zorgt ervoor dat alle niet-voorbereide tracks alle "
+"bestaande regio's gaan afspelen."
#. Tag: para
#, no-c-format
msgid "The circular button arms the transport for recording. It is conventionally red in colour. In <application>Qtractor</application>, the transport can only be armed <emphasis>after</emphasis> at least one track has been armed; to show this, the transport's arm button only turns red if a track is armed."
msgstr ""
+"De ronde knop bereidt het transport voor de opname voor. Het heeft "
+"gewoonlijk een rode kleur. In <application>Qtractor</application> kan het "
+"transport alleen maar voorbereid worden gewapende <emphasis>nadat</emphasis> "
+"ten minste één track voorbereid is; om dit weer te geven, wordt de "
+"voorbereid knop van het transport alleen rood als een track voorbereid is."
1
0
Соберeм для Вас пo cети интepнeт бaзу данных потeнциaльныx клиeнтoв для Baшегo Бизнeсa (нaзвание, тeлeфoн, фakc, email, cайт, именa и др инфopмaцию) Многo! Быcтpо! Тoчнo! Узнайте болee подpoбнyю инфopмацию по: Tелефон +79133913837 ICQ: 6288862 Skype: prodawez3837 Email: prodawez@mixmail.com
by fedora-docs-commits＠redhat.com 31 Jan '11
by fedora-docs-commits＠redhat.com 31 Jan '11
31 Jan '11
*This message was transferred with a trial version of CommuniGate(r) Pro*
Соберeм для Вас пo cети интepнeт бaзу данных
потeнциaльныx клиeнтoв для Baшегo Бизнeсa
(нaзвание, тeлeфoн, фakc, email, cайт, именa и др инфopмaцию)
Многo! Быcтpо! Тoчнo!
Узнайте болee подpoбнyю инфopмацию по:
Tелефон +79133913837
ICQ: 6288862
Skype: prodawez3837
Email: prodawez(a)mixmail.com
1
0
[musicians-guide/f14] l10n: Updates to Dutch (Flemish) (nl) translation
by Transifex System User 30 Jan '11
by Transifex System User 30 Jan '11
30 Jan '11
commit 2b4f3757c6f15036d4480e9a2bad6e3de6a0cf03
Author: warrink <warrink(a)fedoraproject.org>
Date: Sun Jan 30 13:52:48 2011 +0000
l10n: Updates to Dutch (Flemish) (nl) translation
Transmitted-via: Transifex (translate.fedoraproject.org)
nl-NL/Audacity.po | 576 +++++++++++++++++++++++++++++++++++++++++++++++------
1 files changed, 512 insertions(+), 64 deletions(-)
---
diff --git a/nl-NL/Audacity.po b/nl-NL/Audacity.po
index 0e4ae65..0fd68bf 100644
--- a/nl-NL/Audacity.po
+++ b/nl-NL/Audacity.po
@@ -1,122 +1,181 @@
-#
# AUTHOR <EMAIL@ADDRESS>, YEAR.
-#
+# Geert Warrink <geert.warrink(a)onsnet.nu>, 2011.
msgid ""
msgstr ""
"Project-Id-Version: 0\n"
"POT-Creation-Date: 2010-11-02T04:33:08\n"
-"PO-Revision-Date: 2010-09-07T21:06:59\n"
-"Last-Translator: Automatically generated\n"
-"Language-Team: None\n"
-"Language: \n"
+"PO-Revision-Date: 2011-01-30 14:51+0200\n"
+"Last-Translator: Geert Warrink <geert.warrink(a)onsnet.nu>\n"
+"Language-Team: Fedora\n"
+"Language: nl\n"
"MIME-Version: 1.0\n"
"Content-Type: application/x-publican; charset=UTF-8\n"
"Content-Transfer-Encoding: 8bit\n"
+"Plural-Forms: nplurals=2; plural=(n != 1);\n"
+"X-Generator: Virtaal 0.6.1\n"
#. Tag: title
#, no-c-format
msgid "Audacity"
-msgstr ""
+msgstr "Audacity"
#. Tag: para
#, no-c-format
msgid "Audacity is a high-quality sound recording application, designed to be easy to use. We recommend Audacity to most computer users, because it is simple but it has many features and capabilities. You do not need to understand advanced computer audio concepts before using Audacity. If you can connect your microphone to your computer, you know enough to use Audacity."
msgstr ""
+"Audacity is een kwalitatief hoogwaardige geluidsopname toepassing, ontworpen "
+"om gemakkelijk te kunnen gebruiken. Wij raden Audacity aan voor de meeste "
+"computer gebruikers omdat het is eenvoudig maar met vele functies en "
+"mogelijkheden. Je hoeft geen geavanceerde computer audioconcepten te "
+"begrijpen voor het gebruik van Audacity. Als je jouw microfoon kunt "
+"aansluiten op jouw computer, weet je genoeg om Audacity te kunnen gebruiken."
#. Tag: title
#, no-c-format
msgid "Knowing When to Use Audacity"
-msgstr ""
+msgstr "Weten wanneer je Audacity gebruikt"
#. Tag: para
#, no-c-format
msgid "Audacity has a simple user interface, it is easy to use, and it has many advanced capabilities. Audacity does not require advanced knowledge of computers, music, or recording. Audacity is the right tool to use for editing a single audio file, and it can also coordinate multiple audio files simultaneously. Most users will prefer Audacity over the other applications in the Musicians' Guide which can record."
msgstr ""
+"Audacity heeft een eenvoudige gebruikersinterface, het is makkelijk te "
+"gebruiken en het heeft vele geavanceerde mogelijkheden. Audacity vereist "
+"geen geavanceerde kennis van computers, muziek of geluidsopname. Audacity is "
+"de juiste gereedschap om te gebruiken voor het bewerken van een enkel "
+"audiobestand en het kan ook meerdere audiobestanden gelijktijdig "
+"coördineren. De meeste gebruikers zullen de voorkeur geven aan Audacity in "
+"plaats van andere toepassingen in de Musici gids die ook opnemen kunnen."
#. Tag: para
#, no-c-format
msgid "If you need to record quickly, and you do not have time to learn complicated software, you should use Audacity."
msgstr ""
+"Als je snel iets wilt opnemen en je hebt geen tijd om ingewikkelde software "
+"te leren, gebruik dan Audacity."
#. Tag: para
#, no-c-format
msgid "If you have professional-quality audio equipment, if you want to do highly advanced processing, or if you need fine-grained control over the recording, you should use Ardour, Qtractor, or Rosegarden. If you have not used any of these applications, we recommend learning Qtractor before Ardour or Rosegarden. Ardour and Rosegarden are more complicated than Qtractor, and you may not need their advanced features."
msgstr ""
+"Als je professionele audioapparatuur hebt, als je zeer geavanceerde "
+"verwerking wilt doen, of als je een fijnmazige controle over de opname nodig "
+"hebt, dan moet je Ardour, Qtractor of Rosegarden gebruiken. Als je een van "
+"deze toepassingen nog niet gebruikt hebt, raden we je aan om Qtractor te "
+"leren voor Ardour of Rosegarden. Ardour en Rosegarden zijn ingewikkelder dan "
+"Qtractor en je wellicht hun geavanceerde functies niet nodig."
#. Tag: title
#, no-c-format
msgid "Requirements and Installation"
-msgstr ""
+msgstr "Vereisten en installatie"
#. Tag: title
#, no-c-format
msgid "Software Requirements"
-msgstr ""
+msgstr "Software vereisten"
#. Tag: para
#, no-c-format
msgid "Audacity uses several \"libraries.\" Libraries are incomplete programs that add capabilities to other programs or applications. Libraries can be shared between programs. The libraries needed by Audacity will be installed automatically."
msgstr ""
+"Audacity gebruikt verschillende \"bibliotheken\". Bibliotheken zijn "
+"onvolledige programma's die functionaliteit toevoegen aan andere programma's "
+"of toepassingen. Bibliotheken kunnen gedeeld worden tussen programma's. De "
+"bibliotheken die nodig zijn voor Audacity zullen automatisch geïnstalleerd "
+"worden."
#. Tag: para
#, no-c-format
msgid "The version of Audacity from the Fedora repository does not use an MP3 library. If you do not want to use MP3 files with Audacity, you should follow the instructions in <xref linkend=\"sect-Musicians_Guide-Audacity-Installation\" />. If you want to use MP3 files with Audacity, you should follow the instructions in <xref linkend=\"sect-Musicians_Guide-Audacity-Installation_with_RPM_Fusion\" />."
msgstr ""
+"De versie van Audacity van de Fedora repositories gebruikt geen MP3 "
+"bibliotheek. Als je MP3 bestanden niet met Audacity wilt gebruiken, moet je "
+"de instructies in <xref linkend=\"sect-Musicians_Guide-Audacity-Installation\" "
+"/> opvolgen. Als je MP3 bestanden wel met Audacity wilt gebruiken, volg dan "
+"de instructies in <xref linkend=\"sect-Musicians_Guide-Audacity-"
+"Installation_with_RPM_Fusion\" /> op."
#. Tag: para
#, no-c-format
msgid "Audacity can use the JACK Audio Connection Kit. You should install JACK before installing Audacity. Follow the instructions in <xref linkend=\"sect-Musicians_Guide-Install_and_Configure_JACK\" /> to install JACK. We recommend using Audacity without JACK, but JACK is installed whether or not you use it."
msgstr ""
+"Audacity kan de JACK Audio Connectie Kit gebruiken. Je moet JACK installeren "
+"voor het installeren van Audacity. Volg de instructies op in <xref linkend"
+"=\"sect-Musicians_Guide-Install_and_Configure_JACK\" /> om JACK te "
+"installeren. Wij adviseren om Audacity zonder JACK te gebruiken, maar JACK "
+"wordt geïnstalleerd of je het gebruikt of niet."
#. Tag: title
#, no-c-format
msgid "Hardware Requirements"
-msgstr ""
+msgstr "Hardware vereisten"
#. Tag: para
#, no-c-format
msgid "You need an audio interface to use Audacity. If you will record audio with Audacity, you must have at least one microphone connected to your audio interface. You do not need a microphone to edit existing audio files."
msgstr ""
+"Je hebt een audio interface nodig om Audacity te gebruiken. Als je audio met "
+"Audacity opnemen wilt, moet je tenminste één microfoon hebben die is "
+"aangesloten is op jouw audio interface. Je hebt geen microfoon nodig om "
+"bestaande audio bestanden te bewerken."
#. Tag: title
#, no-c-format
msgid "Standard Installation"
-msgstr ""
+msgstr "Standaard installatie"
#. Tag: para
#, no-c-format
msgid "This method installs Audacity from the Fedora repository. This version of Audacity does not use an MP3 library, and cannot process MP3 files."
msgstr ""
+"Deze methode installeert Audacity van de Fedora repository. Deze versie van "
+"Audacity gebruikt geen MP3 bibliotheek en kan geen MP3 bestanden verwerken."
#. Tag: para
#, no-c-format
msgid "Use PackageKit or KPackageKit to install the <package>audacity</package> package."
msgstr ""
+"Gebruik PackageKit of KPackageKit om het <package>audacity</package> pakket "
+"te installeren."
#. Tag: para
#, no-c-format
msgid "The proposed installation includes Audacity and all of the libraries that Audacity uses. Continue installing Audacity by reviewing and approving the proposed installation."
msgstr ""
+"De voorgestelde installatie bevat Audacity en alle bibliotheken die Audacity "
+"gebruikt. Ga verder met het installeren van Audacity door het bekijken en "
+"goedkeuren van de voorgestelde installatie."
#. Tag: para
#, no-c-format
msgid "Audacity configures itself automatically, but it may not use the configuration you want. You need to test Audacity before recording, so that you know that it works. Follow the instructions in <xref linkend=\"sect-Musicians_Guide-Audacity-Testing_Playback\" /> and <xref linkend=\"sect-Musicians_Guide-Audacity-Testing_Recording\" /> to test Audacity."
msgstr ""
+"Audacity configureert zichzelf automatisch, maar het kan misschien de "
+"gewenste configuratie niet gebruiken. Je moet Audacity testen voordat je "
+"gaat opnemen, zodat je zeker weet dat het werkt. Volg de instructies op in "
+"<xref linkend=\"sect-Musicians_Guide-Audacity-Testing_Playback\" /> en <xref "
+"linkend=\"sect-Musicians_Guide-Audacity-Testing_Recording\" /> om Audacity te "
+"testen."
#. Tag: title
#, no-c-format
msgid "Installation with MP3 Support"
-msgstr ""
+msgstr "Installatie met MP3 ondersteuning"
#. Tag: para
#, no-c-format
msgid "This method installs Audacity from the RPM Fusion repository. This version of Audacity uses an MP3 library, and can process MP3 files. The Fedora Project cannot provide support for this version of Audacity because it is not prepared by Fedora."
msgstr ""
+"Deze methode installeert Audacity vanaf de RPM Fusion repository. Deze "
+"versie van Audacity gebruikt een MP3 bibliotheek en kan MP3 bestanden "
+"verwerken. Het Fedora Project kan geen ondersteuning bieden voor deze versie "
+"van Audacity omdat het niet gemaakt is door Fedora."
#. Tag: para
#, no-c-format
msgid "Run this command in a terminal:"
-msgstr ""
+msgstr "Voer dit commando uit in een terminal:"
#. Tag: screen
#, no-c-format
@@ -125,176 +184,245 @@ msgid ""
"<command>rpmfusion-free-release-stable.noarch.rpmhttp://download1.rpmfusion.org/nonf…</command>\n"
"<command>fedora/rpmfusion-nonfree-release-stable.noarch.rpm'</command>"
msgstr ""
+"<command>su -c 'yum localinstall --nogpgcheck "
+"http://download1.rpmfusion.org/free/fedora/\\</command>\n"
+"<command>rpmfusion-free-release-"
+"stable.noarch.rpmhttp://download1.rpmfusion.org/nonfree/\\</command>\n"
+"<command>fedora/rpmfusion-nonfree-release-stable.noarch.rpm'</command>"
#. Tag: para
#, no-c-format
msgid "Note that this a single command, broken into three lines here for presentation reasons."
msgstr ""
+"Merk op dat dit een enkel commando is, hier opgebroken in drie regels voor "
+"de presentatie."
#. Tag: para
#, no-c-format
msgid "Use PackageKit or KPackageKit to install the <code>audacity-freeworld</code> package."
msgstr ""
+"Gebruik PackageKit of KPackageKit om het <package>audacity-"
+"freeworld</package> pakket te installeren."
#. Tag: title
#, no-c-format
msgid "Post-Installation Test: Playback"
-msgstr ""
+msgstr "Post-installatie test: afspelen"
#. Tag: para
#, no-c-format
msgid "Start Audacity."
-msgstr ""
+msgstr "Start Audacity."
#. Tag: para
#, no-c-format
msgid "Set the volume of your audio interface and speakers to a safe level."
msgstr ""
+"Zet het volume van jouw audio interface en luidsprekers op een veilig "
+"niveau."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>File</guimenu><guimenuitem>Open</guimenuitem></menuchoice> to open the Open File window."
msgstr ""
+"Kies <menuchoice><guimenu>Bestand</guimenu><guimenuitem>Openen</guimenuitem>"
+"</menuchoice> om het audiobestand selectie venster te openen."
#. Tag: para
#, no-c-format
msgid "Open the <literal>/usr/share/sounds/alsa/Noise.wav</literal> file. This file is designed for testing audio equipment."
msgstr ""
+"Open het <literal>/usr/share/sounds/alsa/Noise.wav</literal> bestand. Dit "
+"bestand is gemaakt voor het testen van audioapparatuur."
#. Tag: para
#, no-c-format
msgid "Play the file as many times as you need. Adjust the volume of your audio interface and speakers while the file is playing."
msgstr ""
+"Speel het bestand zo vaak af als nodig is. Pas het volume van de audio "
+"interface en de luidsprekers aan terwijl het bestand afgespeeld wordt."
#. Tag: para
#, no-c-format
msgid "If you cannot hear sound when the file is played, check that your audio interface and speakers are correctly connected and powered on."
msgstr ""
+"Als je geen geluid hoort wanneer het bestand afgespeeld wordt, controleer "
+"dan of de audio interface en de luidsprekers goed aangesloten en "
+"ingeschakeld zijn."
#. Tag: para
#, no-c-format
msgid "If you still cannot hear sound when the file is played, see <xref linkend=\"sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware\" />."
msgstr ""
+"Als je nog steeds geen geluid hoort wanneer het bestand afgespeeld wordt, "
+"zie dan <xref linkend=\"sect-Musicians_Guide-Audacity-"
+"Configure_to_Use_Your_Hardware\" />."
#. Tag: title
#, no-c-format
msgid "Post-Installation Test: Recording"
-msgstr ""
+msgstr "Post-installatie test: opnemen"
#. Tag: para
#, no-c-format
msgid "Connect your microphones to your audio interface."
-msgstr ""
+msgstr "Sluit jouw microfoons aan op jouw audio interface."
#. Tag: para
#, no-c-format
msgid "Start Audacity. Do not open a file."
-msgstr ""
+msgstr "Start Audacity. Open geen bestand."
#. Tag: para
#, no-c-format
msgid "Locate the volume level meters on the toolbar, to the right of the transport controls. If you do not see the meters, choose <menuchoice><guimenu>View</guimenu><guisubmenu>Toolbars</guisubmenu><guimenuitem>Meter Toolbar</guimenuitem></menuchoice>, which should have a check mark next to it."
msgstr ""
+"Zoek de volume niveaumeters op de werkbalk rechts van de transportknoppen. "
+"Als je de meters niet ziet, kies je <menuchoice><guimenu>Beeld</guimenu> "
+"<guisubmenu>Werkbalken</guisubmenu> <guimenuitem>Tools-"
+"werkbalk</guimenuitem></menuchoice>, welke een vinkje moet hebben."
#. Tag: para
#, no-c-format
msgid "Click on the arrow next to the microphone to open the input meter's pop-up menu. Choose <menuchoice><guimenuitem>Start Monitoring</guimenuitem></menuchoice>."
msgstr ""
+"Klik op de pijl naast de microfoon om het pop-up menu van de input meter te "
+"openen. Kies <menuchoice><guimenuitem>Meten "
+"starten</guimenuitem></menuchoice>."
#. Tag: para
#, no-c-format
msgid "Sing, talk, or make noise into the microphone. The volume level meter should show moving red bars."
msgstr ""
+"Zing, praat of maak lawaai in de microfoon. De volumeniveau meter moet "
+"bewegende rode balken weergeven."
#. Tag: para
#, no-c-format
msgid "Adjust the volume of the recording inputs on your audio interface. When there is no noise, the moving red bars should be very small."
msgstr ""
+"Stel het volume van de opneemingangen van jouw audio interface in. Als er "
+"geen lawaai is, moeten de bewegende rode balken zeer klein zijn."
#. Tag: para
#, no-c-format
msgid "If you do not see moving red bars in the volume level meter, check that your audio interface and microphone are correctly connected and powered on. If your equipment was not properly connected, adjust the volume of the recording inputs on your audio interface now."
msgstr ""
+"Als je geen bewegende rode balken in de volume niveaumeter ziet, controleer "
+"dan of jouw audio interface en microfoon correct aangesloten en ingeschakeld "
+"zijn. Als jouw apparatuur niet goed aangesloten is, pas het volume van de "
+"opname ingangen van jouw audio interface nu aan."
#. Tag: para
#, no-c-format
msgid "If you still do not see moving red bars, see <xref linkend=\"sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware\" />."
msgstr ""
+"Als je nog steeds geen bewegende rode balken ziet, zie dan <xref linkend"
+"=\"sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware\" />."
#. Tag: para
#, no-c-format
msgid "Click the <guibutton>Record</guibutton> button to start a test recording. Sing, talk, or make noise into the microphone."
msgstr ""
+"Klik op de <guibutton>Opnemen</guibutton> knop om de opname van een test te "
+"starten. Zing, praat of maak lawaai in de microfoon."
#. Tag: para
#, no-c-format
msgid "After a few seconds, click the <guibutton>Stop</guibutton> button to stop the test recording."
msgstr ""
+"Klik na een paar seconden op de <guibutton>Stoppen</guibutton> knop om te "
+"test opname te stoppen."
#. Tag: para
#, no-c-format
msgid "Click the <guibutton>Play</guibutton> button to hear the recorded audio."
msgstr ""
+"Klik op de <guibutton>Afspelen</guibutton> knop om de opgenomen audio te "
+"horen."
#. Tag: para
#, no-c-format
msgid "If the recording sounds bad, you configure Audacity manually. See <xref linkend=\"sect-Musicians_Guide-Audacity-Configure_to_Use_Your_Hardware\" />."
msgstr ""
+"Als het opgenomen geluid slecht klinkt, configureert je Audacity handmatig. "
+"Zie <xref linkend=\"sect-Musicians_Guide-Audacity-"
+"Configure_to_Use_Your_Hardware\" />."
#. Tag: title
#, no-c-format
msgid "Configuration"
-msgstr ""
+msgstr "Configuratie"
#. Tag: title
#, no-c-format
msgid "When You Run Audacity for the First Time"
-msgstr ""
+msgstr "Als je Audacity voor de eerste keer draait"
#. Tag: para
#, no-c-format
msgid "When you run Audacity for the first time, you will be asked to select a language to use for the interface. Before you use Audacity, we encourage you to follow the post-installation test instructions above."
msgstr ""
+"Als je Audacity voor de eerste keer draait, zal je gevraagd worden om een "
+"taal te selecteren voor de interface. Voordat je Audacity gebruikt raden we "
+"je aan de bovenstaande post-installatie test uit te voeren."
#. Tag: title
#, no-c-format
msgid "Configuring Audacity for Your Sound Card"
-msgstr ""
+msgstr "Audacity configureren voor jouw geluidskaart"
#. Tag: para
#, no-c-format
msgid "Audacity configures itself automatically. If your computer has multiple sound cards or your sound cards have an unusual setup, Audacity guesses which input and output you will use. Audacity sometimes guesses incorrectly, so you can configure it yourself."
msgstr ""
+"Audacity configureert zichzelf automatisch. Als jouw computer meerdere "
+"geluidskaarten heeft of als jouw geluidskaarten een ongewone instelling "
+"hebben, gist Audacity welke input en output je zal gebruiken. Audacity heeft "
+"het soms mis, zodat je het zelf moet configureren."
#. Tag: para
#, no-c-format
msgid "Audacity sometimes works, but has poor performance or low-quality audio. If Audacity runs poorly on your computer, you should configure the sound cards manually."
msgstr ""
+"Audacity werkt soms, maar heeft slechte performance of lage kwaliteit audio. "
+"Als Audacity slecht op jouw computer draait, moet je de geluidskaarten "
+"handmatig configureren."
#. Tag: para
#, no-c-format
msgid "Follow these steps to configure Audacity for your sound card:"
msgstr ""
+"Volg deze stappen op voor het configureren van Audacity voor jouw "
+"geluidskaart:"
#. Tag: para
#, no-c-format
msgid "You need to know the Linux name of your sound card."
-msgstr ""
+msgstr "Je moet de Linux naam van jouw geluidskaart weten."
#. Tag: para
#, no-c-format
msgid "Open a terminal. In GNOME, choose <menuchoice><guimenu>Applications</guimenu> <guisubmenu>System</guisubmenu> <guimenuitem>Terminal</guimenuitem></menuchoice>. In KDE, open the application launcher, then choose <menuchoice><guimenu>System</guimenu><guimenuitem>Konsole</guimenuitem></menuchoice>."
msgstr ""
+"Open een terminal. In GNOME kies je "
+"<menuchoice><guimenu>Toepassingen</guimenu> "
+"<guisubmenu>Systeemgereedschap</guisubmenu> "
+"<guimenuitem>Terminalvenster</guimenuitem></menuchoice>. In KDE open je de "
+"toepassingenstarter en je kiest <menuchoice><guimenu>Systeem</guimenu><guime"
+"nuitem>Konsole</guimenuitem></menuchoice>."
#. Tag: para
#, no-c-format
msgid "Run this command: <command>cat /proc/asound/cards</command>."
-msgstr ""
+msgstr "Voer dit commando uit: <command>cat /proc/asound/cards</command>."
#. Tag: para
#, no-c-format
msgid "The <command>cat</command> program outputs a list of sound cards in your computer, which looks similar to this list:"
msgstr ""
+"Het <command>cat</command> programma geeft een lijst van geluidskaarten in "
+"jouw computer, die op de volgende lijst lijkt:"
#. Tag: screen
#, no-c-format
@@ -304,698 +432,1018 @@ msgid ""
"<computeroutput>1 [MobilePre ]: USB-Audio - MobilePre</computeroutput>\n"
"<computeroutput> M Audio MobilePre at usb-0000:00:13.0-2</computeroutput>"
msgstr ""
+"<computeroutput>0 [SB ]: HDA-Intel - HDA ATI SB</computeroutput>\n"
+"<computeroutput> HDA ATI SB at 0xf7ff4000 irq "
+"16</computeroutput>\n"
+"<computeroutput>1 [MobilePre ]: USB-Audio - MobilePre</computeroutput>\n"
+"<computeroutput> M Audio MobilePre at "
+"usb-0000:00:13.0-2</computeroutput>"
#. Tag: para
#, no-c-format
msgid "In this example output, the square brackets surround the name of the sound card. The names of the sound cards in this example output are <literal>SB</literal> and <literal>MobilePre</literal>."
msgstr ""
+"In dit voorbeeld output staan de vierkante haakjes om de naam van de "
+"geluidskaart. De namen van de geluidskaarten in dit voorbeeld output zijn "
+"<literal>SB</literal> en <literal>MobilePre</literal>."
#. Tag: para
#, no-c-format
msgid "Identify the name of the sound card that you want to use. If you do not see your sound card in the list outputted by <code>cat</code>, then your Fedora does not detect it. You should also remember the number of the sound card, which is printed to the left of the name. You can use two different sound cards for recording and playback."
msgstr ""
+"Identificeer de naam van de geluidskaart die je wilt gebruiken. Als je jouw "
+"geluidskaart niet ziet in de lijst die gemaakt is door <code>cat</code>, dan "
+"detecteert Fedora jouw kaart niet. Je moet ook het nummer van de "
+"geluidskaart onthouden, welke links van de naam getoond wordt. Je kunt twee "
+"verschillende geluidskaarten voor opnemen en afspelen gebruiken."
#. Tag: para
#, no-c-format
msgid "Open the \"Preferences\" window. Choose <guimenu>File</guimenu> > <guimenuitem>Preferences</guimenuitem>."
msgstr ""
+"Open het \"voorkeuren\" venster. Kies <guimenu>Bewerken</guimenu> > "
+"<guimenuitem>Voorkeuren</guimenuitem>."
#. Tag: para
#, no-c-format
msgid "Set the \"Host\" to <literal>ALSA</literal>."
-msgstr ""
+msgstr "Stel de \"Host\" in op <literal>ALSA</literal>."
#. Tag: para
#, no-c-format
msgid "Set the recording and playback devices to the name of the sound card that you want to use. If there are many choices for your sound card, choose the one that ends with <literal>(hw:0)</literal>, where <literal>0</literal> is replaced by the number of the sound card that you want to use."
msgstr ""
+"Stel de opname en afspeel apparaten in op de naam van de geluidskaart die je "
+"wilt gebruiken. Als er vele keuzes voor jouw geluidskaart zijn, kiest je "
+"degene die op <literal>(hw:0) </literal> eindigt, waarbij "
+"<literal>0</literal> vervangen wordt door het nummer van de geluidskaart die "
+"je wilt gebruiken."
#. Tag: para
#, no-c-format
msgid "Follow the post-installation test procedures to confirm that the configuration is correct."
msgstr ""
+"Volg de post-installatie testprocedures op om te bevestigen dat de "
+"configuratie juist is."
#. Tag: para
#, no-c-format
msgid "You will see many choices in the list of playback and recording devices. When configured with the <code>default</code> device, Audacity lets ALSA determine which sound card to use. When configured with the <literal>pulse</literal> device, Audacity lets PulseAudio determine which sound card to use. Audacity works most efficiently when configured with a specific sound card, so you should not use the <literal>default</literal> or <literal>pulse</literal> devices unless the other choices do not work."
msgstr ""
+"Je zult vele keuzemogelijkheden zien in de lijst van afspeel en opname "
+"apparaten. Als het <code>default</code> apparaat ingesteld wordt, laat "
+"Audacity ALSA bepalen welke geluidskaart gebruikt wordt. Als het "
+"<literal>pulse</literal> apparaat ingesteld wordt, laat Audacity PulseAudio "
+"bepalen welke geluidskaart gebruikt wordt. Audacity werkt het meest "
+"efficiënt als een specifieke geluidskaart ingesteld wordt, daarom moet je de "
+"<literal>default</literal> en <literal>pulse</literal> apparaten niet "
+"gebruiken tenzij de andere opties niet werken."
#. Tag: title
#, no-c-format
msgid "Setting the Project's Sample Rate and Format"
-msgstr ""
+msgstr "De monsterfrequentie en het formaat van het project instellen"
#. Tag: para
#, no-c-format
msgid "You can change the sample rate and sample format (see <xref linkend=\"sect-Musicians_Guide-Sample_Rate_and_Sample_Format\" /> for definitions). You should set the sample rate and sample format when you begin working on a project. You should not change the sample rate or sample format after you record audio. If you will use audio files that already exist, you should use the sample rate and sample format of the existing files."
msgstr ""
+"Je kunt de monsterfrequentie en het monsterformaat veranderen (zie <xref "
+"linkend=\"sect-Musicians_Guide-Sample_Rate_and_Sample_Format\" /> voor "
+"definities).Als je begint te werken aan een project, moet je de "
+"monsterfrequentie (samplerate) en het monsterformaat (sampleformaat) "
+"instellen. Je mag de monsterfrequentie of het monsterformaat niet veranderen "
+"nadat je audio opgenomen hebt. Als Je audio bestanden wilt gebruiken die al "
+"bestaan, moet je de monsterfrequentie en het monsterformaat van de "
+"bestaande bestanden gebruiken."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>File</guimenu> <guimenuitem>Preferences</guimenuitem></menuchoice> to open the \"Preferences\" window."
msgstr ""
+"Kies <menuchoice><guimenu>Bewerken</guimenu><guimenuitem>Voorkeuren</guimenu"
+"item></menuchoice> om het \"voorkeuren\" venster te openen."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Quality</guibutton> in the list on the left of the window."
msgstr ""
+"Klik op <guibutton>Kwaliteit</guibutton> in de lijst links in het venster."
#. Tag: para
#, no-c-format
msgid "Change the settings as you need. We recommend a sample rate of 44 100 Hz and a sample format of 16 bits for most projects."
msgstr ""
+"Verander de instellingen naar behoefte. We bevelen een monsterfrequentie "
+"44100 Hz en een monsterformaat van 16 bit aan voor de meeste projecten."
#. Tag: title
#, no-c-format
msgid "The Interface"
-msgstr ""
+msgstr "De interface"
#. Tag: title
#, no-c-format
msgid "The Audacity interface"
-msgstr ""
+msgstr "De Audacity interface"
#. Tag: para
#, no-c-format
msgid "An Audacity window, displaying a single stereo track."
-msgstr ""
+msgstr "Een Audacity venster, waar een enkele stereotrack getoond wordt."
#. Tag: para
#, no-c-format
msgid "The <firstterm>transport controls</firstterm> play, stop, or pause playback of audio. The buttons to record and move quickly through a file are also located here."
msgstr ""
+"De <firstterm>transport knoppen</firstterm> Afspelen, Stoppen en Pauzeren "
+"bedienen het afspelen van audio. De knoppen om op te nemen en snel door een "
+"bestand te bewegen bevinden zich ook hier."
#. Tag: para
#, no-c-format
msgid "The <firstterm>tool-selection box</firstterm> changes the cursor's function."
msgstr ""
+"De <firstterm>Tools-werkbalk</firstterm> verandert de functie van de cursor"
#. Tag: para
#, no-c-format
msgid "The two <firstterm>volume level meters</firstterm> display the volume level of stereo audio. The left meter displays the volume level of the output signal. The right meter displays the volume level of the input signal."
msgstr ""
+"De twee <firstterm>volumeniveau meters</firstterm> tonen het volumeniveau "
+"van stereo audio. De linker meter laat het volumeniveau van het output "
+"signaal zien. De rechter meter laat het volumeniveau van het input signaal "
+"zien"
#. Tag: para
#, no-c-format
msgid "The <firstterm>ruler</firstterm> displays the time since the start of the file, in minutes and seconds."
msgstr ""
+"De <firstterm>liniaal</firstterm> toont de tijd sinds het begin van het "
+"bestand, in minuten en seconden."
#. Tag: para
#, no-c-format
msgid "Each <firstterm>track</firstterm> contains two channels of audio signal data. Audacity stacks tracks vertically in the main window. Audacity plays back all tracks simultaneously."
msgstr ""
+"Elke <firstterm>track</firstterm> bevat twee kanalen audio signaal data. "
+"Audacity stapelt tracks verticaal in het hoofd venster. Audacity speelt alle "
+"tracks tegelijk af."
#. Tag: title
#, no-c-format
msgid "A track in Audacity"
-msgstr ""
+msgstr "Een track in Audacity"
#. Tag: para
#, no-c-format
msgid "A single stereo track, displayed in Audacity."
-msgstr ""
+msgstr "Een enkele stereo track, weergegeven in Audacity."
#. Tag: para
#, no-c-format
msgid "Each track has a <firstterm>track info area</firstterm>, which holds settings like the fader, panner, and <guibutton>mute</guibutton> and <guibutton>solo</guibutton> buttons."
msgstr ""
+"Elke track heeft een <firstterm>track info gebied</firstterm>, welke de "
+"instellingen bevat zoals de fader, panner, <guibutton>dempen</guibutton> en "
+"<guibutton>solo</guibutton> knoppen."
#. Tag: para
#, no-c-format
msgid "The <firstterm>timeline</firstterm> is the main area of the main window of Audacity. The leftmost point is the beginning of the audio file."
msgstr ""
+"De <firstterm>tijdlijn</firstterm> is het belangrijkste gebied van het "
+"hoofdvenster van Audacity. Het meest linkse punt is het begin van het "
+"audiobestand."
#. Tag: para
#, no-c-format
msgid "Refer to the image above as you read about the user interface of Audacity."
msgstr ""
+"Refereer naar de afbeelding hierboven als je leest over de "
+"gebruikersinterface van Audacity. "
#. Tag: para
#, no-c-format
msgid "The \"transport controls\" play, stop, or pause playback of audio. The buttons to record and move quickly through a file are also located here."
msgstr ""
+"De \"transport knoppen\" Afspelen, Stoppen en Pauzeren bedienen het afspelen "
+"van audio. De knoppen om op te nemen en snel door een bestand te bewegen "
+"bevinden zich ook hier."
#. Tag: para
#, no-c-format
msgid "The \"tool-selection box\" changes the cursor's function."
-msgstr ""
+msgstr "De \"Tools-werkbalk\" verandert de functie van de cursor."
#. Tag: para
#, no-c-format
msgid "The two \"volume level meters\" display the volume level of stereo audio. The left meter displays the volume level of the output signal. The right meter displays the volume level of the input signal."
msgstr ""
+"De twee \"volumeniveau meters\" tonen het volumeniveau van stereo audio. De "
+"linker meter laat het volumeniveau van het output signaal zien. De rechter "
+"meter laat het volumeniveau van het input signaal zien"
#. Tag: para
#, no-c-format
msgid "The \"ruler\" displays the time since the start of the file, in minutes and seconds."
msgstr ""
+"De \"liniaal\" toont de tijd sinds het begin van het bestand, in minuten en "
+"seconden."
#. Tag: para
#, no-c-format
msgid "The \"timeline\" is the main area of the main window of Audacity. The leftmost point is the beginning of the audio file."
msgstr ""
+"De \"tijdlijn\" is het belangrijkste gebied van het hoofdvenster van Audacity. "
+"Het meest linkse punt is het begin van het audiobestand."
#. Tag: para
#, no-c-format
msgid "Each \"track\" contains two channels of audio signal data. Audacity stacks tracks vertically in the main window. Audacity plays back all tracks simultaneously."
msgstr ""
+"Elke \"track\" bevat twee kanalen audio signaal data. Audacity stapelt tracks "
+"verticaal in het hoofd venster. Audacity speelt alle tracks tegelijk af."
#. Tag: para
#, no-c-format
msgid "Each track has a \"track info area,\" which holds settings like the fader, panner, and <guibutton>mute</guibutton> and <guibutton>solo</guibutton> buttons."
msgstr ""
+"Elke track heeft een \"track info gebied\", welke de instellingen bevat zoals "
+"de fader, panner, <guibutton>dempen</guibutton> en "
+"<guibutton>solo</guibutton> knoppen."
#. Tag: para
#, no-c-format
msgid "<xref linkend=\"chap-Musicians_Guide-Digital_Audio_Workstations\" /> contains more information about the Audacity user interface. That chapter defines the purpose and use of many user interface components."
msgstr ""
+"<xref linkend=\"chap-Musicians_Guide-Digital_Audio_Workstations\" /> bevat "
+"meer informatie over de Audacity gebruikersinterface. Dat hoofdstuk "
+"definieert het doel en het gebruik van vele gebruikersinterface componenten."
#. Tag: title
#, no-c-format
msgid "Recording"
-msgstr ""
+msgstr "Opnemen"
#. Tag: para
#, no-c-format
msgid "This section explains possible ways to use Audacity to record."
msgstr ""
+"Deze paragraag verklaart mogelijk manieren om Audacity te gebruiken om op te "
+"nemen."
#. Tag: title
#, no-c-format
msgid "Start to Record"
-msgstr ""
+msgstr "Beginnen met opnemen"
#. Tag: para
#, no-c-format
msgid "This procedure can be used whether you want to record from microphones or from another application on your computer."
msgstr ""
+"Deze procedure kan gebruikt worden als je wilt opnemen van microfoons of uit "
+"een andere toepassing op jouw computer."
#. Tag: para
#, no-c-format
msgid "Prepare your computer to record. Connect the microphones you want to use, and test them. See <xref linkend=\"sect-Musicians_Guide-Audacity-Testing_Playback\" /> and <xref linkend=\"sect-Musicians_Guide-Audacity-Testing_Recording\" /> for instructions to test your equipment."
msgstr ""
+"Maak jouw computer klaar om op te nemen. Sluit de microfoons die je wilt "
+"gebruiken aan en test ze. Zie <xref linkend=\"sect-Musicians_Guide-Audacity-"
+"Testing_Playback\" /> en <xref linkend=\"sect-Musicians_Guide-Audacity-"
+"Testing_Recording\" /> voor instructies over het testen van jouw apparatuur."
#. Tag: para
#, no-c-format
msgid "Check the sample rate and sample format. See <xref linkend=\"sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format\" /> for instructions to change the sample rate and sample format."
msgstr ""
+"Controleer de monsterfrequentie en het monsterformaat. Zie <xref linkend"
+"=\"sect-Musicians_Guide-Audacity-Setting_Sample_Rate_and_Format\" /> voor "
+"instructies over het veranderen van de monsterfrequentie en het "
+"monsterformaat."
#. Tag: para
#, no-c-format
msgid "The <guibutton>Record</guibutton> button shows a red circle. When you are ready to record, click the <guibutton>Record</guibutton> button."
msgstr ""
+"De <guibutton>Opnemen</guibutton> knop laat een rode cirkel zien. Als je "
+"klaar bent om op te nemen, klik je op de knop "
+"<guibutton>Opnemen</guibutton>."
#. Tag: para
#, no-c-format
msgid "The <guibutton>Stop</guibutton> button shows an orange square. Click the <guibutton>Stop</guibutton> button to stop the recorder."
msgstr ""
+"De <guibutton>Stoppen</guibutton> knop toont een oranje vierkant. Klik op de "
+"<guibutton>Stoppen</guibutton> knop om te stoppen met opnemen."
#. Tag: para
#, no-c-format
msgid "* Audacity displays the recorded audio in the timeline of a track, as a blue, sound-wave-like shape that represents the volume level. Audacity sometimes displays the blue shape immediately, and sometimes only after you click <guibutton>Stop</guibutton>. When Audacity does not show the blue shape immediately, it does not have enough processor power, and decides to process the audio instead of the blue shape."
msgstr ""
+"* Audacity laat het opgenomen geluid zien in de tijdlijn van een track als "
+"een blauwe geluidsgolf vorm die het volume niveau representeert. Audacity "
+"laat soms de blauwe vorm onmiddellijk zien, en soms alleen nadat je op "
+"<guibutton>Stoppen</guibutton> hebt geklikt. Als Audacity de blauwe vorm "
+"niet onmiddellijk toont, heeft het niet voldoende processor kracht, en "
+"besluit het om de audio te bewerken in plaats van de blauwe vorm te tonen."
#. Tag: title
#, no-c-format
msgid "Continue to Record"
-msgstr ""
+msgstr "Verdergaan met opnemen"
#. Tag: para
#, no-c-format
msgid "You can record more audio after the first recording in one of these ways:"
msgstr ""
+"Na de eerste opname kun je kunt meer audio opnemen op een van deze manieren:"
#. Tag: para
#, no-c-format
msgid "You can continue to record from the end of the already-recorded audio."
msgstr ""
+"Je kunt verdergaan met opnemen vanaf het einde van de reeds opgenomen audio."
#. Tag: para
#, no-c-format
msgid "Press <keycombo><keycap>Shift</keycap></keycombo> then click <guibutton>Record</guibutton>."
msgstr ""
+"Druk op <keycombo><keycap>Shift</keycap></keycombo> en klik op "
+"<guibutton>Opneme</guibutton>."
#. Tag: para
#, no-c-format
msgid "Audacity starts to record from the end of the already-recorded audio. The new audio is put in the previously-selected track."
msgstr ""
+"Audacity start met opnemen vanaf het einde van de reeds opgenomen audio. De "
+"nieuwe audio wordt in de eerder geselecteerde track geplaatst."
#. Tag: para
#, no-c-format
msgid "You can record new audio that will play at the same time as the already-recorded audio."
msgstr ""
+"Je kunt nieuwe audio opnemen die op hetzelfde moment zal spelen als de reeds "
+"opgenomen audio."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Transport</guimenu> <guimenuitem>Skip to Start</guimenuitem></menuchoice> or press <keycombo><keycap>Home</keycap></keycombo> to move the transport head to the start of the file."
msgstr ""
+"Kies <menuchoice><guimenu>Afspeelsnelheid</guimenu> <guimenuitem>Naar begin "
+"springen</guimenuitem> </menuchoice> of druk op "
+"<keycombo><keycap>Home</keycap></keycombo> om de opnamekop te verplaatsen "
+"naar het begin van het bestand."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Record</guibutton>."
-msgstr ""
+msgstr "Klik op <guibutton>Opnemen</guibutton>."
#. Tag: para
#, no-c-format
msgid "Audacity starts to record from the beginning. The new audio is put in a new track, and does not erase existing audio."
msgstr ""
+"Audacity begint met opnemen vanaf het begin. De nieuwe audio wordt in een "
+"nieuwe track geplaatst en bestaande audio wordt niet gewist."
#. Tag: para
#, no-c-format
msgid "You can record new audio that will play at the same time as the already-recorded audio, but start after the beginning."
msgstr ""
+"Je kunt nieuwe audio opnemen die op hetzelfde moment zal spelen als de reeds "
+"opgenomen audio, maar zal starten na het begin"
#. Tag: para
#, no-c-format
msgid "Find the timeline position when you want to record new audio. Click on an existing track at that time."
msgstr ""
+"Zoek de tijdlijn positie wanneer u nieuwe audio wilt opnemen. Klik op een "
+"bestaande track op dat tijdsmoment."
#. Tag: para
#, no-c-format
msgid "Audacity starts to record from the position of the transport head. The new audio is put in a new track, and does not erase existing audio."
msgstr ""
+"Audacity begint met opnemen vanaf de positie van de transportkop. De nieuwe "
+"audio wordt in een nieuwe track geplaatst en bestaande audio wordt niet "
+"gewist."
#. Tag: title
#, no-c-format
msgid "Creating a New Login Sound (Tutorial)"
-msgstr ""
+msgstr "Een nieuwe inlog geluid creëren (handleiding)"
#. Tag: title
#, no-c-format
msgid "Files for the Tutorial"
-msgstr ""
+msgstr "Bestanden voor de handleiding"
#. Tag: para
#, no-c-format
msgid "Use the <citetitle>Tutorial Start</citetitle> file if you want to do the tutorial. The <citetitle>Tutorial End</citetitle> file and <citetitle>Exported FLAC</citetitle> file are completed examples. When you finish the tutorial, your project will probably not be the same as ours."
msgstr ""
+"Gebruik het <citetitle>Tutorial Start</citetitle> bestand als je de "
+"handleiding wilt volgen. Het <citetitle>Tutorial End</citetitle> bestand en "
+"<citetitle>Exported FLAC</citetitle> bestand zijn voltooide voorbeelden. Als "
+"je klaar bent met de handleiding, zal jouw project waarschijnlijk niet "
+"hetzelfde zijn als de onze."
#. Tag: para
#, no-c-format
msgid "<citetitle>Tutorial Start</citetitle> is available at <ulink url=\"http://docs.fedoraproject.org/en-US/Fedora/14/Musicians_Guide/files/Audacit…" />"
msgstr ""
+"<citetitle>Tutorial Start</citetitle> is beschikbaar op <ulink "
+"url=\"http://docs.fedoraproject.org/en-"
+"US/Fedora/14/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma\" />"
#. Tag: para
#, no-c-format
msgid "<citetitle>Tutorial End</citetitle> is available at <ulink url=\"http://docs.fedoraproject.org/en-US/Fedora/14/Musicians_Guide/files/Audacit…" />"
msgstr ""
+"<citetitle>Tutorial End</citetitle> is beschikbaar op <ulink "
+"url=\"http://docs.fedoraproject.org/en-"
+"US/Fedora/14/Musicians_Guide/files/Audacity/Audacity-start.tar.lzma\" />"
#. Tag: para
#, no-c-format
msgid "<citetitle>Exported FLAC</citetitle>is available at <ulink url=\"http://docs.fedoraproject.org/en-US/Fedora/14/Musicians_Guide/files/Audacit…" />"
msgstr ""
+"<citetitle>Exported FLAC</citetitle>is beschikbaar op <ulink "
+"url=\"http://docs.fedoraproject.org/en-"
+"US/Fedora/14/Musicians_Guide/files/Audacity/Audacity-export.flac\" />"
#. Tag: title
#, no-c-format
msgid "Scenario"
-msgstr ""
+msgstr "Scenario"
#. Tag: para
#, no-c-format
msgid "You tell a friend about some open-source audio applications in Fedora Linux. Your friend wants you to help them make a new sound that will play when they log in to their computer. You search your music CD collection, and find a favourite recording. You and your friend decide to use a few clips from the CD to start your new log-in sound."
msgstr ""
+"Je vertelt een vriend over bepaalde open bron audio toepassingen in Fedora "
+"Linux. Jouw vriend wil dat je hem helpt om een nieuw geluid te maken dat "
+"afgespeeld wordt als hij inlogt op zijn computer. Je zoekt in jouw muziek CD "
+"verzameling en je vindt een favoriete opname. Jij en jouw vriend besluiten "
+"om een paar fragmenten uit de CD te gebruiken voor het maken van een nieuw "
+"inlog geluid."
#. Tag: title
#, no-c-format
msgid "Align Tracks"
-msgstr ""
+msgstr "Tracks uitlijnen"
#. Tag: para
#, no-c-format
msgid "You adjust the starting time of the segments."
-msgstr ""
+msgstr "Je past de begintijd van de segmenten aan."
#. Tag: para
#, no-c-format
msgid "Click the <guibutton>Time Shift</guibutton> button in the tool-selection toolbar."
msgstr ""
+"Klik op de <guibutton>Tijd verschuiven</guibutton> knop in de Tools-"
+"werkbalk."
#. Tag: para
#, no-c-format
msgid "Select the track with the segment you want to move. Drag the segment to the left or right to change the time when it starts to play."
msgstr ""
+"Selecteer de track met het segment dat je wilt verplaatsen. Sleep het "
+"segment naar links of naar rechts om het tijdstip dat het begint te spelen "
+"te veranderen."
#. Tag: para
#, no-c-format
msgid "You can align the start of one segment with end of another segment. Drag the segment so that the beginning is near the end of the other segment. Drag the track back and forth slowly so a yellow line appears. The yellow line means that there is no silence between the segments, and that the segments do not overlap."
msgstr ""
+"Je kunt het begin van een segment uitlijnen met einde van een ander segment. "
+"Sleep het segment zodat het begin in de buurt is van het einde van het "
+"andere segment. Sleep het segment langzaam heen en weer totdat een gele lijn "
+"verschijnt. De gele lijn betekent dat er geen stilte tussen de segmenten is "
+"en dat de segmenten elkaar niet overlappen."
#. Tag: para
#, no-c-format
msgid "You can move a segment to start at the selection cursor. Click the <guibutton>Selection Tool</guibutton> button, then click on the track where you want the segment to start to play. Choose <menuchoice><guimenu>Tracks</guimenu> <guisubmenu>Align Tracks</guisubmenu> <guimenuitem>Align with Cursor</guimenuitem></menuchoice> to move the track."
msgstr ""
+"Je kunt een segment verplaatsen om het te laten beginnen bij de selectie "
+"cursor. Klik op de <guibutton>Selecteren</guibutton> knop, klik dan op in "
+"track op de plaats waar het segment moet beginnen te spelen. Kies "
+"<menuchoice><guimenu>Sporen</guimenu> <guisubmenu>Sporen "
+"uitlijnen</guisubmenu> <guimenuitem>Uitlijnen op "
+"cursor</guimenuitem></menuchoice> om de track te verplaatsen."
#. Tag: para
#, no-c-format
msgid "You can move tracks in other ways by using the <menuchoice><guimenu>Tools</guimenu> <guisubmenu>Align Tracks</guisubmenu></menuchoice> menu choices."
msgstr ""
+"Je kunt tracks op andere manieren verplaatsen met gebruik van de "
+"<menuchoice><guimenu>Gereedschapppen</guimenu> <guisubmenu>Sporen "
+"uitlijnen</guisubmenu> </menuchoice> menukeuzes."
#. Tag: para
#, no-c-format
msgid "You can select multiple tracks at the same time. Press <keycombo><keycap>Shift</keycap></keycombo> while you click on each track."
msgstr ""
+"Je kunt meerdere tracks tegelijkertijd selecteren. Houd "
+"<keycombo><keycap>Shift</keycap></keycombo> ingedrukt terwijl je op elke "
+"track klikt."
#. Tag: para
#, no-c-format
msgid "You should listen to each adjustment to confirm that it is correct. Click <guibutton>Selection Tool</guibutton> in the tool-selection toolbar, then click on a track where you want to begin to listen. Press <guibutton>Play</guibutton> to hear the audio."
msgstr ""
+"Je moet naar elke aanpassing luisteren om te horen dat het correct is. Klik "
+"op <guibutton>Selecteren</guibutton> in de Tools-werkbalk, klik dan op een "
+"track waarnaar je wilt luisteren. Druk op <guibutton>Afspelen</guibutton> om "
+"de audio te horen."
#. Tag: para
#, no-c-format
msgid "We aligned the tracks so that they sound nice to us. We tried to make the sound short, and interesting but not confusing. We changed the positions of the tracks many times after this step."
msgstr ""
+"Wij hebben de tracks uitgelijnd zodat ze voor ons prettig klinken. We "
+"probeerden om het geluid kort te houden, en interessant maar niet "
+"verwarrend. Wij veranderden de posities van de tracks na deze stap vele "
+"malen."
#. Tag: title
#, no-c-format
msgid "Stretching Tracks"
-msgstr ""
+msgstr "Tracks uitrekken"
#. Tag: para
#, no-c-format
msgid "You can stretch or compress tracks, so that they take up more or less time."
msgstr ""
+"Je kunt tracks uitrekken of comprimeren, zodat deze meer of minder tijd "
+"gebruiken."
#. Tag: para
#, no-c-format
msgid "The \"Change Tempo\" tool adjusts speed but not pitch. Sound quality is lowered significantly."
msgstr ""
+"Het \"Tempo wijzigen\" gereedschap verandert de snelheid, maar niet de "
+"toonhoogte. De geluidskwaliteit wordt aanzienlijk verlaagd."
#. Tag: para
#, no-c-format
msgid "The \"Change Speed\" tool adjusts speed and pitch. Sound quality is less affected."
msgstr ""
+"Het \"Snelheid wijzigen\" gereedschap verandert de snelheid en de toonhoogte. "
+"De geluidskwaliteit wordt minder beïnvloed."
#. Tag: para
#, no-c-format
msgid "Click on the track info portion of the track that you want to adjust."
-msgstr ""
+msgstr "Klik op het track info gedeelte van de track die je wilt aanpassen."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Effect</guimenu> <guimenuitem>Change Tempo</guimenuitem></menuchoice> or <menuchoice><guimenu>Effect</guimenu> <guimenuitem>Change Speed</guimenuitem></menuchoice>. If you input a positive number, the speed increases and the audio takes less time. If you input a negative number, the speed decreases and the audio takes more time."
msgstr ""
+"Kies <menuchoice><guimenu>Effecten</guimenu> <guimenuitem>Tempo "
+"wijzigen</guimenuitem></menuchoice> of "
+"<menuchoice><guimenu>Effecten</guimenu> <guimenuitem>Snelheid "
+"wijzigen</guimenuitem></menuchoice>. Als je een positief getal opgeeft, zal "
+"de snelheid toenemen en de audio minder tijd in beslag nemen. Als je een "
+"negatief getal opgeeft, zal de snelheid afnemen en de audio meer tijd in "
+"beslag nemen."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Preview</guibutton> to hear some of the audio with the adjusted speed. Audacity does not change the audio when you preview the change."
msgstr ""
+"Klik op <guibutton>Afspelen-met-snelheid</guibutton> om naar de audio met de "
+"aangepaste snelheid te luisteren. Audacity verandert de audio niet als je "
+"dit doet."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>OK</guibutton> to apply the change. Audacity processes the audio. Your change does not appear immediately."
msgstr ""
+"Klik op <guibutton>OK</guibutton> om de verandering toe te passen. Audacity "
+"verwerkt de audio. Jouw verandering zal niet onmiddellijk verschijnen."
#. Tag: para
#, no-c-format
msgid "We changed the speed of one of our tracks. We are not concerned about the sound quality, because this is a start-up sound for us. When you edit audio to which other people will listen, you should be careful to preserve the sound quality."
msgstr ""
+"Wij veranderden de snelheid van een van onze tracks. We zijn niet bezorgd "
+"over de geluidskwaliteit omdat dit voor ons een opstart geluid is. Als je "
+"audio bewerkt waarnaar andere mensen zullen luisteren, moet je voorzichtig "
+"zijn om de geluidskwaliteit te behouden."
#. Tag: title
#, no-c-format
msgid "Adjust the Volume Level"
-msgstr ""
+msgstr "Het volumeniveau aanpassen"
#. Tag: para
#, no-c-format
msgid "You can adjust the volume level of tracks by adjusting the fader in the track info box. The fader is a horizontal line with a <literal>-</literal> sign on the left and a <literal>+</literal> sign on the right. The fader does not change the audio signal itself."
msgstr ""
+"Je kunt het volumeniveau van tracks aanpassen door de Versterking in de "
+"track info gebied aan te passen. De Versterking is een horizontale lijn met "
+"een <literal>-</literal> teken aan de linkerkant en een <literal>+</literal> "
+"teken rechts. Met Versterking wordt het audio signaal zelf niet gewijzigd."
#. Tag: para
#, no-c-format
msgid "You can also adjust the volume level of a portion of audio, which does modify the audio signal itself. Follow these instructions to adjust the volume level of a portion of audio."
msgstr ""
+"Je kunt ook het volumeniveau van een gedeelte van de audio aanpassen, wat "
+"het audio signaal zelf niet wijzigt. Volg deze instructies om het "
+"volumeniveau van een gedeelte van de audio aan te passen."
#. Tag: para
#, no-c-format
msgid "The tutorial's lowest track is very quiet. Click the track's <guibutton>solo</guibutton> button, then listen to the track alone. Most of the track is quiet humming."
msgstr ""
+"De laagste track van de handleiding is heel rustig. Klik op de "
+"<guibutton>Solo</guibutton> knop van de track en luistert naar die track "
+"alleen. Het meeste van de track is rustig neuriën."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Selection Tool</guibutton>, then hold down the mouse button to select some audio in one track."
msgstr ""
+"Klik op <guibutton>Selecteren</guibutton>, daarna houd je de muisknop "
+"ingedrukt om sommige audio in een track te selecteren."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Effect</guimenu> <guimenuitem>Amplify</guimenuitem></menuchoice>. When the \"Amplify\" window opens, it is set for the greatest volume level increase that will not decrease sound quality. You can enable \"clipping,\" which allows you to increase the volume level even more, but will decrease the sound quality."
msgstr ""
+"Kies <menuchoice><guimenu>Effecten</guimenu> "
+"<guimenuitem>Versterken</guimenuitem></menuchoice>. Als het \"Versterken\" "
+"venster opent wordt ingesteld voor de grootste volumeniveau toename die de "
+"geluidskwaliteit niet zal verlagen. Je kunt \"Oversturing toestaan\"aanzetten, "
+"wat je het volumeniveau nog meer zal laten verhogen, maar wat de "
+"geluidskwaliteit wel zal verlagen."
#. Tag: para
#, no-c-format
msgid "Use the Amplify tool to adjust the volume level as you wish."
msgstr ""
+"Gebruik het Versterken gereedschap om het volumeniveau aan te passen zoals "
+"je dat wilt."
#. Tag: title
#, no-c-format
msgid "Remove Noise"
-msgstr ""
+msgstr "Ruis verwijderen"
#. Tag: para
#, no-c-format
msgid "\"Noise\" is part of an audio signal that is not the intended signal. When you listen to music on the radio, you can hear the music, and usually also some noise. When computers record or play audio, the electronic components sometimes create extra noise. The lowest track of the tutorial file has noise created by electronic components in the old notebook computer used to play the CD. Follow these steps to use the \"Noise Removal\" tool."
msgstr ""
+"\"Ruis\" is onderdeel van een audio signaal dat niet het bedoelde signaal is. "
+"als je naar muziek op de radio luistert, kun je de muziek horen en meestal "
+"ook wat ruis. Als computers audio opnemen of afspelen, maken de "
+"elektronische onderdelen soms extra ruis aan. De onderste track van het "
+"handleiding bestand bevat ruis gemaakt door elektronische onderdelen in de "
+"oude notebook computer die gebruikt werd voor het afspelen van de CD. Volg "
+"deze stappen om het \"Ruis verwijderen\" gereedschap te gebruiken."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Selection Tool</guibutton>, then select a small portion of the lowest track."
msgstr ""
+"Klik op <guibutton>Selecteren</guibutton> en selecteer dan een klein "
+"gedeelte van de onderste track."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Effect</guimenu> <guimenuitem>Noise Removal</guimenuitem></menuchoice>. The \"Noise Removal\" window appears. Click <guibutton>Get Profile</guibutton>. The Noise Removal tool uses the selected audio as an example of the noise to remove."
msgstr ""
+"Kies <menuchoice><guimenu>Effecten</guimenu> <guimenuitem>Ruis "
+"verwijderen</guimenuitem></menuchoice>. Het \"Ruis verwijderen\" venster "
+"verschijnt. Klik op <guibutton>Profiel verkrijgen</guibutton>. Het ruis "
+"verwijderen gereedschap gebruikt de geselecteerde audio als een voorbeeld "
+"van de te verwijderen ruis."
#. Tag: para
#, no-c-format
msgid "Select the whole track."
-msgstr ""
+msgstr "Selecteer de hele track."
#. Tag: para
#, no-c-format
msgid "Open the \"Noise Removal\" window. Click <guibutton>OK</guibutton>. The Noise Removal tool processes the audio. The Noise Removal tool is not effective in this example because most of the signal is noise."
msgstr ""
+"Open het \"Ruis verwijderen\" venster. Klik op <guibutton>OK</guibutton>. Het "
+"ruis verwijderen gereedschap verwerkt de audio. Het ruis verwijderen "
+"gereedschap is in dit voorbeeld niet effectief omdat het meeste van het "
+"signaal ruis is."
#. Tag: title
#, no-c-format
msgid "Fade In or Out"
-msgstr ""
+msgstr "In of uitfaden"
#. Tag: para
#, no-c-format
msgid "Audacity has tools to fade in and out. When you \"fade in,\" it means to gradually increase the volume level from silence to the original level. When you \"fade out,\" it means to gradually decreased the volume level from the original level to silence. Professional recordings of concerts often fade out after a song, while the audience applauds. Fading out avoids an abrupt stop at the end of the recording, because the volume level is decreased gradually to silence."
msgstr ""
+"Audacity heeft gereedschappen voor in en uitfaden. Als je gaat \"infaden\", "
+"betekent dat het geleidelijk verhogen van het volumeniveau van stilte naar "
+"het oorspronkelijke niveau. Als je gaat \"uitfaden\", betekent dat het "
+"geleidelijk verlagen van het volumeniveau van het oorspronkelijke niveau "
+"naar stilte. Professionele opnames van concerten gebruiken vaak uitfaden na "
+"een liedje terwijl het publiek juicht. Uitfaden vermijdt een abrupte stop "
+"aan het einde van de opname, omdat het volumeniveau geleidelijk naar stilte "
+"wordt verlaagt."
#. Tag: para
#, no-c-format
msgid "You generally fade in at the beginning of an audio segment, and fade out at the end of an audio segment. You can use Audacity to create special effects if you fade in or fade out in the middle of an audio segment. You can make a surprising effect by setting Audacity to fade in or out over a few second, then adding the opposite fade inside the first fade."
msgstr ""
+"In het algemeen gebruik je infaden aan het begin van een audio segment en "
+"uitfaden aan het einde van een audio segment. Je kunt Audacity gebruiken om "
+"speciale effecten creëren als gaat infaden of uitfaden midden in een audio "
+"segment. Je kunt een verrassend effect maken door Audacity in of uit te "
+"laten faden tijdens een paar seconde, om vervolgens de tegenovergestelde "
+"fade van de eerste fade toe te voegen."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Selection Tool</guibutton>, then select a portion of audio to fade in or out."
msgstr ""
+"Klik op <guibutton>Selecteren</guibutton> en selecteer dan een audio "
+"gedeelte om in of uit te faden."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Effect</guimenu> <guimenuitem>Fade In</guimenuitem></menuchoice> or <menuchoice><guimenu>Effect</guimenu> <guimenuitem>Fade Out</guimenuitem></menuchoice>."
msgstr ""
+"Kies <menuchoice><guimenu>Effecten</guimenu> <guimenuitem>Fade-"
+"in</guimenuitem></menuchoice> of <menuchoice><guimenu>Effecten</guimenu> "
+"<guimenuitem>Fade-uit</guimenuitem></menuchoice>."
#. Tag: para
#, no-c-format
msgid "We created a long fade out in one of our tracks, so that the track is quieter. We then adjusted the spacing of the other tracks, moving them closer."
msgstr ""
+"We maakten een lange fade out in één van onze tracks, zodat de track "
+"rustiger is. Vervolgens pasten we de afstand tussen de andere tracks aan, om "
+"ze dichter bij elkaar te brengen."
#. Tag: title
#, no-c-format
msgid "Remove Some Audio"
-msgstr ""
+msgstr "Sommige audio verwijderen"
#. Tag: para
#, no-c-format
msgid "You can remove portions of a track. This procedure removes audio at the end of a track. You can use a similar method to remove audio in other ways."
msgstr ""
+"Je kunt gedeeltes van een track verwijderen. Deze procedure verwijdert audio "
+"aan het einde van een track. Je kunt een vergelijkbare methode gebruiken om "
+"audio op een andere manier te verwijderen."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Selection Tool</guibutton>, then place the editing cursor at the point where you want the track to end."
msgstr ""
+"Klik op <guibutton>Selecteren</guibutton> en plaats de bewerkingscursor op "
+"het punt waar je de track wilt beëindigen."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Edit</guimenu> <guisubmenu>Select</guisubmenu> <guimenuitem>Cursor to Track End</guimenuitem></menuchoice>. There are many other choices in the <menuchoice><guimenu>Edit</guimenu> <guisubmenu>Select</guisubmenu></menuchoice> menu."
msgstr ""
+"Kies <menuchoice><guimenu>Bewerken</guimenu> "
+"<guisubmenu>Selecteren</guisubmenu> <guimenuitem>Van de cursorpositie tot "
+"aan het einde</guimenuitem></menuchoice>. Er zijn vele andere "
+"keuzemogelijkheden in het <menuchoice><guimenu>Bewerken</guimenu> "
+"<guisubmenu>Selecteren</guisubmenu> </menuchoice> menu."
#. Tag: para
#, no-c-format
msgid "Press <keycombo><keycap>Delete</keycap></keycombo>. The selected audio is deleted."
msgstr ""
+"Druk op <keycombo><keycap>Delete</keycap></keycombo>. De geselecteerde audio "
+"wordt verwijderd."
#. Tag: para
#, no-c-format
msgid "If you make a mistake, you can undo the previous action. Choose <menuchoice><guimenu>Edit</guimenu> <guimenuitem>Undo</guimenuitem></menuchoice>."
msgstr ""
+"Als je een fout maakt, kun je de vorige actie ongedaan maken. Kies "
+"<menuchoice><guimenu>Bewerken</guimenu>, <guimenuitem>Verwijderen ongedaan "
+"maken</guimenuitem> </menuchoice>."
#. Tag: para
#, no-c-format
msgid "We removed the end of the lowest track."
-msgstr ""
+msgstr "We verwijderden het einde van de onderste track."
#. Tag: title
#, no-c-format
msgid "Repeat an Already-Recorded Segment"
-msgstr ""
+msgstr "Herhaal een reeds opgenomen Segment"
#. Tag: para
#, no-c-format
msgid "You can repeat a segment of audio that is already recorded."
-msgstr ""
+msgstr "Je kunt een segment van audio dat al is opgenomen herhalen."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Selection Tool</guibutton>, then select a portion of audio."
msgstr ""
+"Klik op <guibutton>Selecteren</guibutton> en selecteer dan een gedeelte van "
+"de audio."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Edit</guimenu> <guimenuitem>Copy</guimenuitem></menuchoice> or press <keycombo><keycap>Control</keycap> <keycap>c</keycap></keycombo>."
msgstr ""
+"Kies<menuchoice><guimenu>Bewerken</guimenu> "
+"<guimenuitem>Kopiëren</guimenuitem></menuchoice> of druk op "
+"<keycombo><keycap>Control</keycap> <keycap>c</keycap></keycombo>."
#. Tag: para
#, no-c-format
msgid "Click in a track near where you want the copy to start playing."
msgstr ""
+"Klik in een track in de buurt van waar je de kopie wilt laten beginnen met "
+"spelen."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Edit</guimenu> <guimenuitem>Paste</guimenuitem></menuchoice> or press <keycombo><keycap>Control</keycap> <keycap>v</keycap></keycombo>."
msgstr ""
+"Kies <menuchoice><guimenu>Bewerken</guimenu> "
+"<guimenuitem>Plakken</guimenuitem></menuchoice> of duw op "
+"<keycombo><keycap>Control</keycap> <keycap>v</keycap></keycombo>."
#. Tag: para
#, no-c-format
msgid "Click <guibutton>Time Shift Tool</guibutton>, then adjust the timeline position of the new audio clip."
msgstr ""
+"Klik op de <guibutton>Tijd verschijven</guibutton> en pas de tijdlijn "
+"positie van de nieuwe audio clip aan."
#. Tag: para
#, no-c-format
msgid "We repeated the end of a segment twice, to make the end of the startup sound more interesting."
msgstr ""
+"Wij herhaalden het einde van een segment twee keer, om het einde van het "
+"opstartgeluid interessanter maken."
#. Tag: title
#, no-c-format
msgid "Add a Special Effect (the Phaser)"
-msgstr ""
+msgstr "Voeg een speciaal effect toe (de Phaser)"
#. Tag: para
#, no-c-format
msgid "Audacity has many effect plugins, and you can add more. The Phaser adjusts reverberation, panning, and frequency to create a spinning-like sound."
msgstr ""
+"Audacity heeft veel effect plug-ins, en je kunt meer toevoegen. De Phaser "
+"past galm, pannen en frequentie aan om een soort ronddraaiend geluid te "
+"maken."
#. Tag: para
#, no-c-format
msgid "Select a portion of any track when only one track is playing."
msgstr ""
+"Selecteer een gedeelte van een spoor als slechts één track wordt afgespeeld."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>Effect</guimenu> <guimenuitem>Phaser</guimenuitem></menuchoice>, then experiment with the settings. Click <guibutton>Preview</guibutton> to hear the effect of your settings. Audacity does not modify the audio file when you preview your settings."
msgstr ""
+"Kies <menuchoice><guimenu>Effecten</guimenu> "
+"<guimenuitem>Phaser</guimenuitem></menuchoice> en experimenteer met de "
+"instellingen. Klik op <guibutton>Voorbeeld</guibutton> om het effect van "
+"jouw instelling te horen. Audacity verandert het audiobestand niet terwijl "
+"de naar de voorbeelden luistert."
#. Tag: para
#, no-c-format
msgid "The tutorial uses the phaser at the end, with these settings:"
-msgstr ""
+msgstr "De handleiding gebruikt de phaser aan het einde, met deze instellingen:"
#. Tag: para
#, no-c-format
msgid "Stages: 2"
-msgstr ""
+msgstr "Stappen: 2"
#. Tag: para
#, no-c-format
msgid "Dry/Wet: 128"
-msgstr ""
+msgstr "Dry/Wet: 128"
#. Tag: para
#, no-c-format
msgid "LFO Frequency: 0.4"
-msgstr ""
+msgstr "LFO-frequency: 0.4"
#. Tag: para
#, no-c-format
msgid "LFO Start Phase: 0"
-msgstr ""
+msgstr "LFO beginfase: 0"
#. Tag: para
#, no-c-format
msgid "Depth: 128"
-msgstr ""
+msgstr "Bereik: 128"
#. Tag: para
#, no-c-format
msgid "Feedback: 90"
-msgstr ""
+msgstr "Feedback: 90"
#. Tag: title
#, no-c-format
msgid "Conclusion"
-msgstr ""
+msgstr "Conclusie"
#. Tag: para
#, no-c-format
msgid "Your startup file sounds different than the one that we completed. The tutorial instructions are intentionally vague. You used your own creativity to complete the tutorial. You also learned how to use these tools for many different purposes."
msgstr ""
+"Jouw opstartbestand klinkt anders dan degene die wij gemaakt hebben. De "
+"handleiding instructies zijn opzettelijk vaag. Je gebruikte jouw eigen "
+"creativiteit bij het voltooien van de handleiding. Je leerde ook hoe je deze "
+"gereedschappen voor vele verschillende doeleinden gebruiken kunt."
#. Tag: title
#, no-c-format
msgid "Save and Export"
-msgstr ""
+msgstr "Opslaan en exporteren"
#. Tag: para
#, no-c-format
msgid "Audacity saves its data in a format that only Audacity can use. Audacity saves more information than just the audio files, and this information cannot be stored in conventional audio files like OGG, FLAC, or AIFF."
msgstr ""
+"Audacity slaat zijn data op in een formaat dat alleen Audacity gebruiken "
+"kan. Audacity slaat meer informatie op dan alleen de audiobestanden en deze "
+"informatie kan niet opgeslagen worden in conventionele audiobestanden OGG, "
+"FLAC of AIFF."
#. Tag: para
#, no-c-format
msgid "When you want to share your work, or use it in another application, you must export it. When you \"export\" audio, Audacity converts the Audacity-only file into a conventional audio file. Audacity does not delete the original Audacity-only file, but the exported file cannot be converted into the Audacity-only format."
msgstr ""
+"Als je jouw werk wilt delen, of gebruiken in een andere toepassing, moet je "
+"het exporteren. Als je audio \"exporteert\", converteert Audacity het alleen-"
+"Audacity bestand naar een conventioneel audio bestand. Audacity verwijdert "
+"het originele alleen-Audacity bestand niet, maar het geëxporteerde bestand "
+"kan niet omgezet worden naar het alleen-Audacity formaat."
#. Tag: title
#, no-c-format
msgid "Export Part of a File"
-msgstr ""
+msgstr "Een deel van een bestand exporteren"
#. Tag: para
#, no-c-format
msgid "Select the portion of audio that you want to export."
-msgstr ""
+msgstr "Selecteer het gedeelte van de audio dat je wilt exporteren."
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>File</guimenu> <guimenuitem>Export Selection</guimenuitem></menuchoice>."
msgstr ""
+"Kies <menuchoice><guimenu>Bestand </guimenu> <guimenuitem>Selectie "
+"exporteren</guimenuitem></menuchoice>."
#. Tag: para
#, no-c-format
msgid "Select the format, filename, and directory of the audio that will be exported. Click <guibutton>Save</guibutton> when you are finished."
msgstr ""
+"Selecteer het formaat, bestandsnaam en map van de audio die geëxporteerd zal "
+"worden. Klik op <guibutton>Opslaan</guibutton> als je klaar bent."
#. Tag: para
#, no-c-format
msgid "Depending on which format you choose, the \"Metadata\" window appears. You can input this information if you wish."
msgstr ""
+"Afhankelijk van welke formaat je koos, zal \"Metadata\" venster verschijnen. "
+"Als je wilt, kun je deze informatie invoeren."
#. Tag: para
#, no-c-format
msgid "Audacity processes the audio to export. This may take some time, depending on the audio."
msgstr ""
+"Audacity verwerkt de audio om te exporteren. Dit kan enige tijd duren, "
+"afhankelijk van de audio."
#. Tag: title
#, no-c-format
msgid "Export a Whole File"
-msgstr ""
+msgstr "Een heel bestand exporteren"
#. Tag: para
#, no-c-format
msgid "Choose <menuchoice><guimenu>File</guimenu> <guimenuitem>Export</guimenuitem></menuchoice>."
msgstr ""
+"Kies <menuchoice><guimenu>Bestand </guimenu> "
+"<guimenuitem>Exporteren</guimenuitem></menuchoice>."
1
0
[readme-burning-isos] Added instructions for command line burning, BZ bug 614258
by Zach Oglesby 30 Jan '11
by Zach Oglesby 30 Jan '11
30 Jan '11
commit 8455c807396ca127f9818eea404115775da169ec
Author: Zach Oglesby <oglesbyzm(a)gmail.com>
Date: Sun Jan 30 12:21:35 2011 +0100
Added instructions for command line burning, BZ bug 614258
en-US/Burning.xml | 41 ++++++++++++++++++++++++++++++++++++++++-
1 files changed, 40 insertions(+), 1 deletions(-)
---
diff --git a/en-US/Burning.xml b/en-US/Burning.xml
index 3afd073..9b7a332 100644
--- a/en-US/Burning.xml
+++ b/en-US/Burning.xml
@@ -317,6 +317,45 @@
</para>
</step>
</procedure>
- </section>
+ </section>
+ <section id="sec-Burning_ISO_images_to_disc-Burning-cmd-line">
+ <title>Burning discs with wodim from the command line</title>
+ <para>
+ <application>wodim</application> is a command line tool that makes burning iso files to disc easy. These instructions will help you to burn a dics when a Graphical User Interface is not avaliable.
+ </para>
+ <procedure>
+ <step>
+ <para>
+ Install <application>wodim</application> with the command <command>su -c 'yum install wodim'</command>
+ </para>
+ </step>
+ <step>
+ <para>
+ Locate your cdrom drives location with <command>wodim --devices</command>. This should give something like the following:
+ <screen>
+[zoglesby@zlaptop ~]$ wodim --devices
+wodim: Overview of accessible drives (1 found) :
+-------------------------------------------------------------------------
+0 dev='/dev/scd0' rwrw-- : 'TSSTcorp' 'DVD+-RW TS-T633C'
+-------------------------------------------------------------------------
+ </screen>
+ </para>
+ </step>
+ <step>
+ <para>
+ Using the output from above identify your drive location. In this example it would be /dev/scd0, and issue the following command to burn the cd.
+ </para>
+ <para>
+ <command>wodim -v dev=/dev/xxx speed=4 -eject /path/to/Fedora.iso</command>.
+ </para>
+ <note>
+ <title>Replace values</title>
+ <para>
+ Be sure to replace the dev=/dev/xxx with your drive path, and /path/to/Fedora.iso to the actual path and name of the ISO file
+ </para>
+ </note>
+ </step>
+ </procedure>
+ </section>
</section>
</section>
1
0
en-US/Burning.xml | 41 ++++++++++++++++++++++++++++++++++++++++-
1 file changed, 40 insertions(+), 1 deletion(-)
New commits:
commit 8455c807396ca127f9818eea404115775da169ec
Author: Zach Oglesby <oglesbyzm(a)gmail.com>
Date: Sun Jan 30 12:21:35 2011 +0100
Added instructions for command line burning, BZ bug 614258
diff --git a/en-US/Burning.xml b/en-US/Burning.xml
index 3afd073..9b7a332 100644
--- a/en-US/Burning.xml
+++ b/en-US/Burning.xml
@@ -317,6 +317,45 @@
</para>
</step>
</procedure>
- </section>
+ </section>
+ <section id="sec-Burning_ISO_images_to_disc-Burning-cmd-line">
+ <title>Burning discs with wodim from the command line</title>
+ <para>
+ <application>wodim</application> is a command line tool that makes burning iso files to disc easy. These instructions will help you to burn a dics when a Graphical User Interface is not avaliable.
+ </para>
+ <procedure>
+ <step>
+ <para>
+ Install <application>wodim</application> with the command <command>su -c 'yum install wodim'</command>
+ </para>
+ </step>
+ <step>
+ <para>
+ Locate your cdrom drives location with <command>wodim --devices</command>. This should give something like the following:
+ <screen>
+[zoglesby@zlaptop ~]$ wodim --devices
+wodim: Overview of accessible drives (1 found) :
+-------------------------------------------------------------------------
+0 dev='/dev/scd0' rwrw-- : 'TSSTcorp' 'DVD+-RW TS-T633C'
+-------------------------------------------------------------------------
+ </screen>
+ </para>
+ </step>
+ <step>
+ <para>
+ Using the output from above identify your drive location. In this example it would be /dev/scd0, and issue the following command to burn the cd.
+ </para>
+ <para>
+ <command>wodim -v dev=/dev/xxx speed=4 -eject /path/to/Fedora.iso</command>.
+ </para>
+ <note>
+ <title>Replace values</title>
+ <para>
+ Be sure to replace the dev=/dev/xxx with your drive path, and /path/to/Fedora.iso to the actual path and name of the ISO file
+ </para>
+ </note>
+ </step>
+ </procedure>
+ </section>
</section>
</section>
1
0
commit 5bd4efb38a3268c52f1e0a22c28ba4fc6487eff9
Author: Christopher Antila <crantila(a)fedoraproject.org>
Date: Fri Jan 28 13:29:22 2011 -0500
Fixed Bug 670520
.gitignore | 1 +
en-US/Book_Info.xml | 2 +-
en-US/Revision_History.xml | 23 +-
en-US/Sound_Servers.xml | 4 +-
...ft_Documentation-0.1-Musicians_Guide-en-US.epub | Bin 0 -> 38299850 bytes
.../Musicians_Guide/Common_Content/css/common.css | 1495 ++++
.../Musicians_Guide/Common_Content/css/default.css | 3 +
.../Musicians_Guide/Common_Content/css/lang.css | 2 +
.../Common_Content/css/overrides.css | 51 +
.../Musicians_Guide/Common_Content/css/print.css | 16 +
.../Musicians_Guide/Common_Content/images/1.png | Bin 0 -> 710 bytes
.../Musicians_Guide/Common_Content/images/1.svg | 27 +
.../Musicians_Guide/Common_Content/images/10.png | Bin 0 -> 985 bytes
.../Musicians_Guide/Common_Content/images/10.svg | 31 +
.../Musicians_Guide/Common_Content/images/11.png | Bin 0 -> 810 bytes
.../Musicians_Guide/Common_Content/images/11.svg | 31 +
.../Musicians_Guide/Common_Content/images/12.png | Bin 0 -> 1012 bytes
.../Musicians_Guide/Common_Content/images/12.svg | 31 +
.../Musicians_Guide/Common_Content/images/13.png | Bin 0 -> 1048 bytes
.../Musicians_Guide/Common_Content/images/13.svg | 31 +
.../Musicians_Guide/Common_Content/images/14.png | Bin 0 -> 914 bytes
.../Musicians_Guide/Common_Content/images/14.svg | 31 +
.../Musicians_Guide/Common_Content/images/15.png | Bin 0 -> 989 bytes
.../Musicians_Guide/Common_Content/images/15.svg | 31 +
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...aft_Documentation-0.1-Musicians_Guide-en-US.pdf | Bin 0 -> 3657474 bytes
661 files changed, 47409 insertions(+), 5 deletions(-)
---
diff --git a/.gitignore b/.gitignore
index 271aafb..35f0a3e 100644
--- a/.gitignore
+++ b/.gitignore
@@ -1,2 +1,3 @@
*~
tmp
+publish
diff --git a/en-US/Book_Info.xml b/en-US/Book_Info.xml
index 330ec4c..0bddec9 100644
--- a/en-US/Book_Info.xml
+++ b/en-US/Book_Info.xml
@@ -9,7 +9,7 @@
<!-- Haydn: <subtitle>A guide to Fedora Linux's audio creation and music capabilities, written in a new and special way.</subtitle> -->
<productname>Fedora Draft Documentation</productname>
<pubsnumber>0</pubsnumber> <!-- NB: I have no idea why this is here, but the book doesn't work without it -CRA -->
- <edition>14.9.2</edition>
+ <edition>14.9.3</edition>
<abstract>
<para>
diff --git a/en-US/Revision_History.xml b/en-US/Revision_History.xml
index 97ea13a..bac35b3 100644
--- a/en-US/Revision_History.xml
+++ b/en-US/Revision_History.xml
@@ -216,16 +216,35 @@
</author>
<revdescription>
<simplelist>
- <member>Reformatted dates in Revision History</member>
+ <member>Reformatted dates in Revision History.</member>
<member>Re-wrote Section 12.4.8.2 to fix the second error in Bug 654187.</member>
</simplelist>
</revdescription>
</revision>
+ <revision>
+ <revnumber>14.9.3</revnumber>
+ <date>28 January 2011</date>
+ <author>
+ <firstname>Christopher</firstname>
+ <surname>Antila</surname>
+ <email>crantila(a)fedoraproject.org</email>
+ </author>
+ <revdescription>
+ <simplelist>
+ <member>Added fix for Bug 670520.</member>
+ </simplelist>
+ </revdescription>
+ </revision>
+
<!-- NOTE: When adding a revision above, be sure to update the <edition> tag in "Book_Info.xml" -->
<!-- Finite Tasks -->
- <!-- TODO: Bug 654187 ("Errors in Musicians' Guide LilyPond section") -->
+ <!-- TODO: Bug 673519 ("Where is 'Percussion' check-box?") -->
+ <!-- TODO: (QA) Bug 670520 ("ALSA sound server should be JACK") -->
+ <!-- TODO: Bug 670540 ("Qsynth's MIDI driver... ") -->
+ <!-- TODO: Bug 670533 ("Qtractor chapter needs step-by-step... ") -->
+ <!-- TODO: (QA) Bug 654187 ("Errors in Musicians' Guide LilyPond section") -->
<!-- TODO: Bug 665660 ("External Files for Ardour Tutorial Are Missing") -->
<!-- TODO: Bug 665662 ("SuperCollider Chapters Are in First Person") -->
<!-- TODO: Bug 665664 ("LilyPond Example Scores Are Incomplete") -->
diff --git a/en-US/Sound_Servers.xml b/en-US/Sound_Servers.xml
index fd0f6d2..ff1f366 100644
--- a/en-US/Sound_Servers.xml
+++ b/en-US/Sound_Servers.xml
@@ -68,8 +68,8 @@
<systemitem>JACK</systemitem> operates with special real-time privileges. You must add all users to the <systemitem>jackuser</systemitem> and <systemitem>pulse-rt</systemitem> groups so they can use <systemitem>JACK</systemitem>. For instructions to add users to groups, see Chapter 22, <citetitle>Users and Groups</citetitle> of the <citetitle>Fedora Deployment Guide</citetitle>, available at <ulink url="http://docs.fedoraproject.org" />. Do not add users to these groups if they will not use <systemitem>JACK</systemitem>.
</para>
</important>
- <para>
- With the default configuration of <application>QjackCtl</application>, it chooses the "default" sound card, which actually goes through the <systemitem>ALSA</systemitem> sound server. We can avoid this, and use the <systemitem>ALSA</systemitem> drivers without the sound server, which will help <systemitem>JACK</systemitem> to maintain accurately low latencies. The following procedure configures <systemitem>JACK</systemitem> to connect to the <systemitem>ALSA</systemitem> driver directly.
+ <para> <!-- Modified by CRA for Bug 670520 -->
+ By default, <application>QjackCtl</application> configures <systemitem>JACK</systemitem> to use the 'default' sound card. The 'default' sound card uses all features of the <systemitem>ALSA</systemitem> driver, even though <systemitem>JACK</systemitem> provides the same features. To save memory and processor time, you should configure <application>QjackCtl</application> with a specific sound card.
</para>
<!-- Part of this procedure appears in the Audacity chapter. Keep them in sync. -->
<procedure>
diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/epub/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-en-US.epub b/publish/en-US/Fedora_Draft_Documentation/0.1/epub/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-en-US.epub
new file mode 100644
index 0000000..9d9693d
Binary files /dev/null and b/publish/en-US/Fedora_Draft_Documentation/0.1/epub/Musicians_Guide/Fedora_Draft_Documentation-0.1-Musicians_Guide-en-US.epub differ
diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/common.css b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/common.css
new file mode 100644
index 0000000..f9603b7
--- /dev/null
+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/common.css
@@ -0,0 +1,1495 @@
+body, h1, h2, h3, h4, h5, h6, pre, li, div {
+ line-height: 1.29em;
+}
+
+body {
+ background-color: white;
+ margin:0 auto;
+ font-family: "liberation sans", "Myriad ", "Bitstream Vera Sans", "Lucida Grande", "Luxi Sans", "Trebuchet MS", helvetica, verdana, arial, sans-serif;
+ font-size:12px;
+ max-width:55em;
+ color:black;
+}
+
+body.toc_embeded {
+ /*for web hosting system only*/
+ margin-left: 300px;
+}
+
+object.toc, iframe.toc {
+ /*for web hosting system only*/
+ border-style:none;
+ position:fixed;
+ width:290px;
+ height:99.99%;
+ top:0;
+ left:0;
+ z-index: 100;
+ border-style:none;
+ border-right:1px solid #999;
+}
+
+/* Hide web menu */
+
+body.notoc {
+ margin-left: 3em;
+}
+
+iframe.notoc {
+ border-style:none;
+ border: none;
+ padding: 0em;
+ position:fixed;
+ width: 21px;
+ height: 29px;
+ top: 0px;
+ left:0;
+ overflow: hidden;
+ margin: 0em;
+ margin-left: -3px;
+}
+/* End hide web menu */
+
+/* desktop styles */
+body.desktop {
+ margin-left: 26em;
+}
+
+body.desktop .book > .toc {
+ display:block;
+ width:24em;
+ height:99%;
+ position:fixed;
+ overflow:auto;
+ top:0px;
+ left:0px;
+ padding-left:1em;
+ background-color:#EEEEEE;
+}
+
+.toc {
+ line-height:1.35em;
+}
+
+.toc .glossary,
+.toc .chapter, .toc .appendix {
+ margin-top:1em;
+}
+
+.toc .part {
+ margin-top:1em;
+ display:block;
+}
+
+span.glossary,
+span.appendix {
+ display:block;
+ margin-top:0.5em;
+}
+
+div {
+ padding-top:0px;
+}
+
+div.section {
+ padding-top:1em;
+}
+
+p, div.para, div.formalpara {
+ padding-top:0px;
+ margin-top:0.3em;
+ padding-bottom:0px;
+ margin-bottom:1em;
+}
+
+/*Links*/
+a {
+ outline: none;
+}
+
+a:link {
+ text-decoration:none;
+ border-bottom: 1px dotted ;
+ color:#3366cc;
+}
+
+a:visited {
+ text-decoration:none;
+ border-bottom: 1px dotted ;
+ color:#003366;
+}
+
+div.longdesc-link {
+ float:right;
+ color:#999;
+}
+
+.toc a, .qandaset a {
+ font-weight:normal;
+}
+
+/*headings*/
+h1, h2, h3, h4, h5, h6 {
+ color: #336699;
+ margin-top: 0em;
+ margin-bottom: 0em;
+ background-color: transparent;
+}
+
+h1 {
+ font-size:2.0em;
+}
+
+.titlepage h1.title {
+ font-size: 3.0em;
+ padding-top: 1em;
+ text-align:left;
+}
+
+.book > .titlepage h1.title {
+ text-align:center;
+}
+
+.article > .titlepage h1.title {
+ text-align:center;
+}
+
+.set .titlepage > div > div > h1.title {
+ text-align:center;
+}
+
+.producttitle {
+ margin-top: 0em;
+ margin-bottom: 0em;
+ font-size: 3.0em;
+ font-weight: bold;
+ background: #003d6e url(../images/h1-bg.png) top left repeat-x;
+ color: white;
+ text-align: center;
+ padding: 0.7em;
+}
+
+.titlepage .corpauthor {
+ margin-top: 1em;
+ text-align: center;
+}
+
+.section h1.title {
+ font-size: 1.6em;
+ padding: 0em;
+ color: #336699;
+ text-align: left;
+ background: white;
+}
+
+h2 {
+ font-size:1.6em;
+}
+
+
+h2.subtitle, h3.subtitle {
+ margin-top: 1em;
+ margin-bottom: 1em;
+ font-size: 1.4em;
+ text-align: center;
+}
+
+.preface > div > div > div > h2.title {
+ margin-top: 1em;
+ font-size: 2.0em;
+}
+
+.appendix h2 {
+ margin-top: 1em;
+ font-size: 2.0em;
+}
+
+
+
+h3 {
+ font-size:1.3em;
+ padding-top:0em;
+ padding-bottom:0em;
+}
+h4 {
+ font-size:1.1em;
+ padding-top:0em;
+ padding-bottom:0em;
+}
+
+h5 {
+ font-size:1em;
+}
+
+h6 {
+ font-size:1em;
+}
+
+h5.formalpara {
+ font-size:1em;
+ margin-top:2em;
+ margin-bottom:.8em;
+}
+
+.abstract h6 {
+ margin-top:1em;
+ margin-bottom:.5em;
+ font-size:2em;
+}
+
+/*element rules*/
+hr {
+ border-collapse: collapse;
+ border-style:none;
+ border-top: 1px dotted #ccc;
+ width:100%;
+ margin-top: 3em;
+}
+
+/* web site rules */
+ul.languages, .languages li {
+ display:inline;
+ padding:0em;
+}
+
+.languages li a {
+ padding:0em .5em;
+ text-decoration: none;
+}
+
+.languages li p, .languages li div.para {
+ display:inline;
+}
+
+.languages li a:link, .languages li a:visited {
+ color:#444;
+}
+
+.languages li a:hover, .languages li a:focus, .languages li a:active {
+ color:black;
+}
+
+ul.languages {
+ display:block;
+ background-color:#eee;
+ padding:.5em;
+}
+
+/*supporting stylesheets*/
+
+/*unique to the webpage only*/
+.books {
+ position:relative;
+}
+
+.versions li {
+ width:100%;
+ clear:both;
+ display:block;
+}
+
+a.version {
+ font-size:2em;
+ text-decoration:none;
+ width:100%;
+ display:block;
+ padding:1em 0em .2em 0em;
+ clear:both;
+}
+
+a.version:before {
+ content:"Version";
+ font-size:smaller;
+}
+
+a.version:visited, a.version:link {
+ color:#666;
+}
+
+a.version:focus, a.version:hover {
+ color:black;
+}
+
+.books {
+ display:block;
+ position:relative;
+ clear:both;
+ width:100%;
+}
+
+.books li {
+ display:block;
+ width:200px;
+ float:left;
+ position:relative;
+ clear: none ;
+}
+
+.books .html {
+ width:170px;
+ display:block;
+}
+
+.books .pdf {
+ position:absolute;
+ left:170px;
+ top:0px;
+ font-size:smaller;
+}
+
+.books .pdf:link, .books .pdf:visited {
+ color:#555;
+}
+
+.books .pdf:hover, .books .pdf:focus {
+ color:#000;
+}
+
+.books li a {
+ text-decoration:none;
+}
+
+.books li a:hover {
+ color:black;
+}
+
+/*products*/
+.products li {
+ display: block;
+ width:300px;
+ float:left;
+}
+
+.products li a {
+ width:300px;
+ padding:.5em 0em;
+}
+
+.products ul {
+ clear:both;
+}
+
+/*revision history*/
+.revhistory {
+ display:block;
+}
+
+.revhistory table {
+ background-color:transparent;
+ border-color:#fff;
+ padding:0em;
+ margin: 0;
+ border-collapse:collapse;
+ border-style:none;
+}
+
+.revhistory td {
+ text-align :left;
+ padding:0em;
+ border: none;
+ border-top: 1px solid #fff;
+ font-weight: bold;
+}
+
+.revhistory .simplelist td {
+ font-weight: normal;
+}
+
+.revhistory .simplelist {
+ margin-bottom: 1.5em;
+ margin-left: 1em;
+}
+
+.revhistory table th {
+ display: none;
+}
+
+
+/*credits*/
+.authorgroup div {
+ clear:both;
+ text-align: center;
+}
+
+h3.author {
+ margin: 0em;
+ padding: 0em;
+ padding-top: 1em;
+}
+
+.authorgroup h4 {
+ padding: 0em;
+ margin: 0em;
+ padding-top: 1em;
+ margin-top: 1em;
+}
+
+.author,
+.editor,
+.translator,
+.othercredit,
+.contrib {
+ display: block;
+}
+
+.revhistory .author {
+ display: inline;
+}
+
+.othercredit h3 {
+ padding-top: 1em;
+}
+
+
+.othercredit {
+ margin:0em;
+ padding:0em;
+}
+
+.releaseinfo {
+ clear: both;
+}
+
+.copyright {
+ margin-top: 1em;
+}
+
+/* qanda sets */
+.answer {
+ margin-bottom:1em;
+ border-bottom:1px dotted #ccc;
+}
+
+.qandaset .toc {
+ border-bottom:1px dotted #ccc;
+}
+
+.question {
+ font-weight:bold;
+}
+
+.answer .data, .question .data {
+ padding-left: 2.6em;
+}
+
+.answer label, .question label {
+ float:left;
+ font-weight:bold;
+}
+
+/* inline syntax highlighting */
+.perl_Alert {
+ color: #0000ff;
+}
+
+.perl_BaseN {
+ color: #007f00;
+}
+
+.perl_BString {
+ color: #5C3566;
+}
+
+.perl_Char {
+ color: #ff00ff;
+}
+
+.perl_Comment {
+ color: #FF00FF;
+}
+
+
+.perl_DataType {
+ color: #0000ff;
+}
+
+
+.perl_DecVal {
+ color: #00007f;
+}
+
+
+.perl_Error {
+ color: #ff0000;
+}
+
+
+.perl_Float {
+ color: #00007f;
+}
+
+
+.perl_Function {
+ color: #007f00;
+}
+
+
+.perl_IString {
+ color: #5C3566;
+}
+
+
+.perl_Keyword {
+ color: #002F5D;
+}
+
+
+.perl_Operator {
+ color: #ffa500;
+}
+
+
+.perl_Others {
+ color: #b03060;
+}
+
+
+.perl_RegionMarker {
+ color: #96b9ff;
+}
+
+
+.perl_Reserved {
+ color: #9b30ff;
+}
+
+
+.perl_String {
+ color: #5C3566;
+}
+
+
+.perl_Variable {
+ color: #0000ff;
+}
+
+
+.perl_Warning {
+ color: #0000ff;
+}
+
+/*Lists*/
+ul {
+ padding-left:1.6em;
+ list-style-image:url(../images/dot.png);
+ list-style-type: circle;
+}
+
+ul ul {
+ list-style-image:url(../images/dot2.png);
+ list-style-type: circle;
+}
+
+ol {
+ list-style-image:none;
+ list-style-type: decimal;
+}
+
+ol ol {
+ list-style-type: lower-alpha;
+}
+
+ol.arabic {
+ list-style-type: decimal;
+}
+
+ol.loweralpha {
+ list-style-type: lower-alpha;
+}
+
+ol.lowerroman {
+ list-style-type: lower-roman;
+}
+
+ol.upperalpha {
+ list-style-type: upper-alpha;
+}
+
+ol.upperroman {
+ list-style-type: upper-roman;
+}
+
+dt {
+ font-weight:bold;
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+dd {
+ margin:0em;
+ margin-left:2em;
+ padding-top:0em;
+ padding-bottom: 1em;
+}
+
+li {
+ padding-top:0px;
+ margin-top:0em;
+ padding-bottom:0px;
+ margin-bottom:0.4em;
+}
+
+li p, li div.para {
+ padding-top:0px;
+ margin-top:0em;
+ padding-bottom:0px;
+ margin-bottom:0.3em;
+}
+
+/*images*/
+img {
+ display:block;
+ margin: 2em 0;
+}
+
+.inlinemediaobject, .inlinemediaobject img {
+ display:inline;
+ margin:0em;
+}
+
+.figure img {
+ display:block;
+ margin:0;
+}
+
+.figure .title {
+ margin:0em;
+ margin-bottom:2em;
+ padding:0px;
+}
+
+/*document modes*/
+.confidential {
+ background-color:#900;
+ color:White;
+ padding:.5em .5em;
+ text-transform:uppercase;
+ text-align:center;
+}
+
+.longdesc-link {
+ display:none;
+}
+
+.longdesc {
+ display:none;
+}
+
+.prompt {
+ padding:0em .3em;
+}
+
+/*user interface styles*/
+.screen .replaceable {
+}
+
+.guibutton, .guilabel {
+ font-family: "liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight: bold;
+ white-space: nowrap;
+}
+
+.example {
+ background-color: #ffffff;
+ border-left: 3px solid #aaaaaa;
+ padding-top: 1em;
+ padding-bottom: 0.1em;
+}
+
+.example h6 {
+ padding-left: 10px;
+}
+
+.example-contents {
+ padding-left: 10px;
+ background-color: #ffffff;
+}
+
+.example-contents .para {
+/* padding: 10px;*/
+}
+
+/*terminal/console text*/
+.computeroutput,
+.option {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+.replaceable {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-style: italic;
+}
+
+.command, .filename, .keycap, .classname, .literal {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ font-weight:bold;
+}
+
+/* no bold in toc */
+.toc * {
+ font-weight: inherit;
+}
+
+pre {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ display:block;
+ background-color: #f5f5f5;
+ color: #000000;
+ border: 1px solid #aaaaaa;
+ margin-bottom: 0.3em;
+ padding:.5em 1em;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+ font-size: 0.9em;
+}
+
+pre .replaceable,
+pre .keycap {
+}
+
+code {
+ font-family:"liberation mono", "bitstream vera mono", "dejavu mono", monospace;
+ white-space: nowrap;
+ font-weight:bold;
+}
+
+.parameter code {
+ display: inline;
+ white-space: pre-wrap; /* css-3 */
+ white-space: -moz-pre-wrap !important; /* Mozilla, since 1999 */
+ white-space: -pre-wrap; /* Opera 4-6 */
+ white-space: -o-pre-wrap; /* Opera 7 */
+ word-wrap: break-word; /* Internet Explorer 5.5+ */
+}
+
+/*Notifications*/
+div.warning:before {
+ content:url(../images/warning.png);
+ padding-left: 5px;
+}
+
+div.note:before {
+ content:url(../images/note.png);
+ padding-left: 5px;
+}
+
+div.important:before {
+ content:url(../images/important.png);
+ padding-left: 5px;
+}
+
+div.warning, div.note, div.important {
+ color: black;
+ margin: 0em;
+ padding: 0em;
+ background: none;
+ background-color: white;
+ margin-bottom: 1em;
+ border-bottom: 1px solid #aaaaaa;
+}
+
+div.warning h2, div.note h2,div.important h2 {
+ margin: 0em;
+ padding: 0em;
+ color: #eeeeec;
+ padding-top: 0px;
+ padding-bottom: 0px;
+ height: 1.4em;
+ line-height: 1.4em;
+ font-size: 1.4em;
+ display:inline;
+}
+
+div.admonition_header {
+ clear: both;
+ margin: 0em;
+ padding: 0em;
+ margin-top: -3.3em;
+ padding-left: 58px;
+ line-height: 1.0em;
+ font-size: 1.0em;
+}
+
+div.warning div.admonition_header {
+ background: url(../images/red.png) top left repeat-x;
+ background-color: #590000;
+}
+
+div.note div.admonition_header {
+ background: url(../images/green.png) top right repeat-x;
+ background-color: #597800;
+}
+
+div.important div.admonition_header {
+ background: url(../images/yellow.png) top right repeat-x;
+ background-color: #a6710f;
+}
+
+div.warning p, div.warning div.para,
+div.note p, div.note div.para,
+div.important p, div.important div.para {
+ padding: 0em;
+ margin: 0em;
+}
+
+div.admonition {
+ border: none;
+ border-left: 1px solid #aaaaaa;
+ border-right: 1px solid #aaaaaa;
+ padding:0em;
+ margin:0em;
+ padding-top: 1.5em;
+ padding-bottom: 1em;
+ padding-left: 2em;
+ padding-right: 1em;
+ background-color: #eeeeec;
+ -moz-border-radius: 0px;
+ -webkit-border-radius: 0px;
+ border-radius: 0px;
+}
+
+/*Page Title*/
+#title {
+ display:block;
+ height:45px;
+ padding-bottom:1em;
+ margin:0em;
+}
+
+#title a.left{
+ display:inline;
+ border:none;
+}
+
+#title a.left img{
+ border:none;
+ float:left;
+ margin:0em;
+ margin-top:.7em;
+}
+
+#title a.right {
+ padding-bottom:1em;
+}
+
+#title a.right img {
+ border:none;
+ float:right;
+ margin:0em;
+ margin-top:.7em;
+}
+
+/*Table*/
+table {
+ border:1px solid #6c614b;
+ width:100%;
+ border-collapse:collapse;
+}
+
+table.simplelist, .calloutlist table {
+ border-style: none;
+}
+
+table th {
+ text-align:left;
+ background-color:#6699cc;
+ padding:.3em .5em;
+ color:white;
+}
+
+table td {
+ padding:.15em .5em;
+}
+
+table tr.even td {
+ background-color:#f5f5f5;
+}
+
+table th p:first-child, table td p:first-child, table li p:first-child,
+table th div.para:first-child, table td div.para:first-child, table li div.para:first-child {
+ margin-top:0em;
+ padding-top:0em;
+ display:inline;
+}
+
+th, td {
+ border-style:none;
+ vertical-align: top;
+ border: 1px solid #000;
+}
+
+.simplelist th, .simplelist td {
+ border: none;
+}
+
+table table td {
+ border-bottom:1px dotted #aaa;
+ background-color:white;
+ padding:.6em 0em;
+}
+
+table table {
+ border:1px solid white;
+}
+
+td.remarkval {
+ color:#444;
+}
+
+td.fieldval {
+ font-weight:bold;
+}
+
+.lbname, .lbtype, .lbdescr, .lbdriver, .lbhost {
+ color:white;
+ font-weight:bold;
+ background-color:#999;
+ width:120px;
+}
+
+td.remarkval {
+ width:230px;
+}
+
+td.tname {
+ font-weight:bold;
+}
+
+th.dbfield {
+ width:120px;
+}
+
+th.dbtype {
+ width:70px;
+}
+
+th.dbdefault {
+ width:70px;
+}
+
+th.dbnul {
+ width:70px;
+}
+
+th.dbkey {
+ width:70px;
+}
+
+span.book {
+ margin-top:4em;
+ display:block;
+}
+
+span.chapter {
+ display:block;
+ margin-top:0.5em;
+}
+
+table.simplelist td, .calloutlist table td {
+ border-style: none;
+}
+
+/*Breadcrumbs*/
+#breadcrumbs ul li.first:before {
+ content:" ";
+}
+
+#breadcrumbs {
+ color:#900;
+ padding:3px;
+ margin-bottom:25px;
+}
+
+#breadcrumbs ul {
+ margin-left:0;
+ padding-left:0;
+ display:inline;
+ border:none;
+}
+
+#breadcrumbs ul li {
+ margin-left:0;
+ padding-left:2px;
+ border:none;
+ list-style:none;
+ display:inline;
+}
+
+#breadcrumbs ul li:before {
+ content:"\0020 \0020 \0020 \00BB \0020";
+ color:#333;
+}
+
+/*index*/
+.glossary h3,
+.index h3 {
+ font-size: 2em;
+ color:#aaa;
+ margin:0em;
+}
+
+.indexdiv {
+ margin-bottom:1em;
+}
+
+.glossary dt,
+.index dt {
+ color:#444;
+ padding-top:.5em;
+}
+
+.glossary dl dl dt,
+.index dl dl dt {
+ color:#777;
+ font-weight:normal;
+ padding-top:0em;
+}
+
+.index dl dl dt:before {
+ content:"- ";
+ color:#ccc;
+}
+
+/*changes*/
+.footnote {
+ font-size: .7em;
+ margin:0em;
+ color:#222;
+}
+
+table .footnote {
+}
+
+sup {
+ color:#999;
+ margin:0em;
+ padding:0em;
+ line-height: .4em;
+ font-size: 1em;
+ padding-left:0em;
+}
+
+.footnote {
+ position:relative;
+}
+
+.footnote sup {
+ color:#e3dcc0;
+ position:absolute;
+ left: .4em;
+}
+
+.footnote sup a:link,
+.footnote sup a:visited {
+ color:#92917d;
+ text-decoration:none;
+}
+
+.footnote:hover sup a {
+ text-decoration:none;
+}
+
+.footnote p,.footnote div.para {
+ padding-left:2em;
+}
+
+.footnote a:link,
+.footnote a:visited {
+ color:#00537c;
+}
+
+.footnote a:hover {
+}
+
+/**/
+div.chapter {
+ margin-top:3em;
+}
+
+div.section {
+ margin-top:1em;
+}
+
+div.note .replaceable,
+div.important .replaceable,
+div.warning .replaceable,
+div.note .keycap,
+div.important .keycap,
+div.warning .keycap
+{
+}
+
+ul li p:last-child, ul li div.para:last-child {
+ margin-bottom:0em;
+ padding-bottom:0em;
+}
+
+/*document navigation*/
+.docnav a, .docnav strong {
+ border:none;
+ text-decoration:none;
+ font-weight:normal;
+}
+
+.docnav {
+ list-style:none;
+ margin:0em;
+ padding:0em;
+ position:relative;
+ width:100%;
+ padding-bottom:2em;
+ padding-top:1em;
+ border-top:1px dotted #ccc;
+}
+
+.docnav li {
+ list-style:none;
+ margin:0em;
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+}
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+}
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+}
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+}
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+}
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+}
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+ display:block;
+}
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+}
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+ padding-right:28px;
+ font-size:1.2em;
+}
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+}
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+ font-size:1.2em;
+}
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+ padding:5px;
+ padding-left:28px;
+ font-size:1.2em;
+}
+
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+ color:#666;
+}
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+ color:black;
+}
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+ max-width: 10em;
+ overflow:hidden;
+}
+
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+ text-decoration:none;
+}
+
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+ margin:0 auto;
+ text-align:center;
+}
+
+ul.docnav {
+ margin-bottom: 1em;
+}
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+ margin:0em;
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+}
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+}
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+}
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+ margin-top: 1em;
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+}
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index 0000000..bf38ebb
--- /dev/null
+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/default.css
@@ -0,0 +1,3 @@
+@import url("common.css");
+@import url("overrides.css");
+@import url("lang.css");
diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/lang.css b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/lang.css
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index 0000000..81c3115
--- /dev/null
+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/lang.css
@@ -0,0 +1,2 @@
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+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/overrides.css
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+a:link {
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+}
+
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+}
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diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/print.css b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/print.css
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--- /dev/null
+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/Common_Content/css/print.css
@@ -0,0 +1,16 @@
+@import url("common.css");
+@import url("overrides.css");
+@import url("lang.css");
+
+#tocframe {
+ display: none;
+}
+
+body.toc_embeded {
+ margin-left: 30px;
+}
+
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+ color: #336699;
+}
+
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diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-result.pdf b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-result.pdf
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diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.ly b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.ly
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--- /dev/null
+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.ly
@@ -0,0 +1,22 @@
+\version "2.12.3"
+
+\header
+{
+ tagline = ##f % Remove default LilyPond tagline
+}
+
+trebleClefVoice = \relative c''
+{
+ % This example shows the bar-check symbol at work.
+ \key c \major
+ \time 4/4
+ c4 c2 c4 |
+ c4 c2 c | % This bar contains five beats. The bar-check symbol prints a warning.
+ c4 c2 c4 | % This bar-check symbol also prints a warning -- but for some reason it doesn't?!?!
+}
+
+\score
+{
+ \new Staff { \trebleClefVoice }
+ \layout { }
+}
diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.pdf b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Bar-Check_Example-source.pdf
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diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Counterpoint-result.pdf
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diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Counterpoint-source.ly b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Counterpoint-source.ly
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--- /dev/null
+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Counterpoint-source.ly
@@ -0,0 +1,60 @@
+\version "2.12.2"
+
+\header
+{
+ title = "Simple Counterpoint Exercise"
+ composer = "Christopher Antila"
+}
+
+global =
+{
+ \key f \major
+ \time 4/4
+
+ \override Score.BarLine #'transparent = ##t
+ \override Score.SpanBar #'transparent = ##t
+ \override Score.TimeSignature #'transparent = ##t
+}
+
+right = \relative c'
+{
+ \global
+
+ f1 g a f d e f c' a f g f
+
+ \revert Score.BarLine #'transparent
+ \revert Score.SpanBar #'transparent
+
+ \bar "|."
+}
+
+left = \relative c
+{
+ \global
+ % Music follows here.
+
+ f1 e d a bes c d e f d c f
+}
+
+figBass = \figuremode
+{
+ \global
+ % Figures follow here.
+ <1>1 <3> <5> <6> <3> <3> <3> <6> <3> <3> <5> <1>
+}
+
+pianoPart = \new PianoStaff \with{}
+<<
+ \new Staff = "right" \right
+ \new FiguredBass \figBass
+ \new Staff = "left" { \clef bass \left }
+>>
+
+\score
+{
+ <<
+ \pianoPart
+ >>
+
+ \layout { }
+}
diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Orchestra-result.pdf b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Orchestra-result.pdf
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diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Orchestra-source.ly b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Orchestra-source.ly
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index 0000000..6a2a242
--- /dev/null
+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Orchestra-source.ly
@@ -0,0 +1,418 @@
+\version "2.12.2"
+
+\header
+{
+ dedication = "Comte d‘Ogny and Prince Oettingen-Wallerstein"
+ title = "Sinfonia No. 92"
+ subtitle = "“Oxford”"
+ composer = "Haydn, Joseph"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Adagio"
+}
+
+global =
+{
+ %% NB: "hornF" does not follow this
+ %% NB: "trumpetC" does not follow this
+ \tempoMark
+ \key g \major
+ \time 3/4
+}
+
+startExposition =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \mark \markup \bold "Allegro spiritoso"
+
+ \bar "|:"
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+flute = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 e-.\p e-. e-. e-. e-. |
+ es8[ d]\f d-. d-. d-. d-. |
+ d8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeI = \relative c'''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ r8 a-.\p a-. a-. a-. a-. |
+ a8([ bes)]\f bes-. g-. g-. g-. |
+ g8( bes,) bes4 r |
+ r4 cis\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+oboeII = \relative c''
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f bes-. bes-. bes-. bes-. bes-. |
+ bes8 bes bes4 r |
+ r4 g\p g |
+ r4 g g |
+ r4 g\pp g |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+bassoon = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f d-.^"a 2" g-. bes-. d-. bes-. |
+ g8( cis) cis4 r |
+ R2.*3 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+hornF = \relative c'
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ \transposition g
+ % Music follows here.
+ R2.*13 |
+ R2. |
+ r8\f <g g'>-. <g g'>-. <g g'>-. <g g'>-. <g g'>-. |
+ <c c'>8 <c c'> <c c'>4 r |
+ R2.* 3 |
+ r4 r r\fermata
+
+ \startExposition
+
+ R2.*4 |
+}
+
+trumpetC = \relative c''
+{
+ \tempoMark
+ \time 3/4
+ \key c \major
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+timpani = \relative c
+{
+ \global
+ % Music follows here.
+ R2.*13 |
+ R2.*6 |
+ r4 r r\fermata |
+
+ \startExposition
+
+ R2.*4 |
+}
+
+violinI = \relative c''
+{
+ \global
+ % Music follows here.
+ d8-.\p r d-. r d-. r |
+ d2.~\< |
+ d4\> c8( b a e') |
+ g,4(\! fis8)-. r r4 |
+ % M.5
+ c'8-. r c-. r c-. r |
+ c2.~\< |
+ c8\> e( d c b a)\! |
+ \grace {c8} b4\trill a8-. r r4 |
+ c8[( \grace {d16[ c b]} c16. d32]) b8-. r r4 |
+ % M.10
+ e8[( \grace {fis16[ e dis]} e16. fis32]) g8-. r r4 |
+ d4 cis8( c b bes) |
+ a8 r r4 r |
+ r8 g'-. g-. g-. g-. g-. |
+ g8[( fis]) fis-. fis-. fis-. fis-. |
+ % M.15
+ fis8[( g])\f g-. d'-. d-. d-. |
+ d8[( cis]) cis4 r8. g16\p |
+ g4( cis,) r8. bes'16 |
+ bes4( cis,) r |
+ \times 2/3 { g'8[(-.^\markup{\italic staccato} fis-. f])-. } \times 2/3 { e8[(-. es-. d])-. } cis8-. r16 bes' |
+ bes4( cis,) r\fermata |
+
+ \startExposition
+
+ c!4~\p c8 b-. a-. g-. |
+}
+
+violinII = \relative c''
+{
+ \global
+ % Music follows here.
+ b8-.\p r b-. r b-. r |
+ b4. a8( g fis) |
+ e4. d8( c a) |
+ d4 r r |
+ % M.5
+ <fis a>8-. r <fis a>-. r <fis a>-. r |
+ <fis a>4. b8( a g) |
+ fis2( g8 d) |
+ d8[( cis]) d-. r r4 |
+ g4~ g8-. r r4 |
+ % M.10
+ g4~ g8-. r r4 |
+ d4 e8( fis g) g |
+ fis8[ d]-. d-. d-. d-. d-. |
+ d4( cis c) |
+ c2.~ |
+ % M.15
+ c8[( bes])\f bes-. bes-. bes-. bes-. |
+ bes8 g' g4 r |
+ r4 <bes, g'>\p <bes g'> |
+ r4 <bes g'> <bes g'> |
+ r4 <bes g'>\pp <bes g'> |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ <a fis'>8-.\p <a fis'>-. <a fis'>-. r r4
+}
+
+viola = \relative c''
+{
+ \global
+ % Music follows here.
+ g8-.\p r g-. r g-. r |
+ g4. g,8( a b) |
+ c( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ d8-. r d-. r d-. r |
+ d4. d,8( fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ R2. |
+ r8 a'-. a-. a-. a-. a-. |
+ % M.15
+ a8[( g])\f g-. g-. g-. g-. |
+ g8 g g4 r |
+ r4 cis,\p cis |
+ r4 cis cis |
+ r4 cis\pp cis |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ c8-.\pp c-. c-. r r4 |
+
+}
+
+cello = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g8(\p b d g a b) |
+ c8( e, fis gis a c) |
+ b4( a8-.) r r4 |
+ % M.5
+ R2.
+ d,,8( fis a d fis g) |
+ a8( c b a g fis) |
+ g4( fis8-.) r r4 |
+ e'4( d8-.) r r4 |
+ % M.10
+ c4( b8-.) r r4 |
+ b8( bes a) d g, cis |
+ d4 r r |
+ es,2. |
+ d2.~ |
+ % M.15
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 << { es' es } \\ { es,\p es } >> |
+ r4 << { es' es } \\ { es, es } >> |
+ r4 << { es' es } \\ { es,\pp es } >> |
+ % M.20
+ r4 r r\fermata |
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+contrabass = \relative c
+{
+ \global
+ % Music follows here.
+ R2. |
+ g2\p r4 |
+ c2. |
+ d4 r r |
+ % M.5
+ R2. |
+ d2.~ |
+ d2. |
+ d8-. r d-. r r4 |
+ % M.9
+ R2.*4 |
+ es2. |
+ % M.15
+ d2.~ |
+ d8[ d]-.\f d-. d-. d-. d-. |
+ es8 es es4 r |
+ r4 es\p es |
+ r4 es es |
+ r4 es\pp es |
+ % M.20
+ r4 r r\fermata
+
+ \startExposition
+
+ d8-.\p d-. d-. r r4 |
+
+}
+
+
+
+
+
+
+%%%%%%%% PARTS %%%%%%%%
+flutePart = \new Staff \with
+{
+ instrumentName = "Flauto"
+} \flute
+
+oboeIPart = \new Staff \with
+{
+ instrumentName = "I Oboe"
+} \oboeI
+
+oboeIIPart = \new Staff \with
+{
+ instrumentName = "II Oboe"
+} \oboeII
+
+bassoonPart = \new Staff \with
+{
+ instrumentName = "2 Fagotti"
+} { \clef bass \bassoon }
+
+hornFPart = \new Staff \with
+{
+ instrumentName = "2 Corni in Sol"
+} \hornF
+
+trumpetCPart = \new Staff \with
+{
+ instrumentName = "2 Clarini in Do"
+} \trumpetC
+
+timpaniPart = \new Staff \with
+{
+ instrumentName = "Timpani"
+} { \clef bass \timpani }
+
+violinIPart = \new Staff \with
+{
+ instrumentName = "Violino I"
+} \violinI
+
+violinIIPart = \new Staff \with
+{
+ instrumentName = "Violino II"
+} \violinII
+
+violaPart = \new Staff \with
+{
+ instrumentName = "Viola"
+} { \clef alto \viola }
+
+celloPart = \new Staff \with
+{
+ instrumentName = "Violoncello obligato"
+} { \clef bass \cello }
+
+contrabassPart = \new Staff \with
+{
+ instrumentName = "Basso"
+} { \clef bass \contrabass }
+
+
+
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+\score
+{
+ <<
+ \flutePart
+ \oboeIPart
+ \oboeIIPart
+ \bassoonPart
+ \hornFPart
+ \trumpetCPart
+ \timpaniPart
+ \violinIPart
+ \violinIIPart
+ \violaPart
+ \celloPart
+ \contrabassPart
+ >>
+ \layout { }
+}
diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-result.pdf b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-result.pdf
new file mode 100644
index 0000000..c897eb3
Binary files /dev/null and b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-result.pdf differ
diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-source.ly b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-source.ly
new file mode 100644
index 0000000..3430a39
--- /dev/null
+++ b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/LilyPond/Piano-source.ly
@@ -0,0 +1,531 @@
+\version "2.12.2"
+
+\header
+{
+ title = "Impromptu (Excerpt)"
+ composer = "Schubert, Franz"
+ opus = "Opus 90/4"
+ % Remove default LilyPond tagline
+ tagline = ##f
+}
+
+tempoMark =
+{
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
+ \once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
+ \mark \markup \bold "Allegretto"
+}
+
+global =
+{
+ \tempoMark
+ \key as \major
+ \time 3/4
+}
+
+
+
+
+
+
+%%%%%%%% NOTES %%%%%%%%
+%%%% RIGHT %%%%
+right = \relative c'''
+{
+ \global
+ % Music follows here.
+ ces16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-. r |
+ ces'16(-2 es ces as-1 as-3 ces as es-1 es as es ces |
+ ces16-2 es ces as as-3 ces as es <g bes>8-.) r |
+ % M.5
+ <as ces>4-_-3 <g bes fes'>-.( <g bes fes'>-. |
+ <g bes fes'>4-. <g bes es>-.-4 <g bes des>-.)-3 |
+ ces'16( es ces as as ces as es es as es ces |
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ ces'16( es ces as as ces as es es as es ces |
+ % M.10
+ ces16 es ces as as ces as es <g bes>8-.) r |
+ <as ces>4-_-2 <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.)-3 |
+ es''16(-2 ges es ces ces-2 es ces ges ges-2 ces ges es |
+ es16-2 ges es ces ces-3 es ces ges <<bes8-.) d>> r |
+ % M.15
+ es'16( ges es ces ces es ces ges ges ces ges es |
+ es16 ges es ces ces es ces ges <<bes8-.) d>> r |
+ <ces es>4-_-3 <bes des as'>-.( <bes des as'>-. |
+ <bes des as'>4-. <bes es ges>-.-4 <bes fes'>-.-)-3 |
+ d'16(-2 fis d b b-2 d b fis fis-2 b fis d |
+ % M.20
+ d16-2 fis d b b-3 d b fis <ais cis>8-.) r |
+ d'16( fis d b b d b fis fis b fis d |
+ d16 fis d b b d b fis <ais cis>8-.) r |
+ <fis b d>4-_ <cis' e b'>-.( <cis e b'>-. |
+ <cis e b'>4-. <cis fis a>-.-4 <cis g'>4-.-3 |
+ % M.25
+ <d fis>4-.) <ais cis g'>-.(-5 <ais cis gis'>-. |
+ <ais cis g'>4-. <ais cis fis>-. <cis e>-.-4 |
+ <b dis>4-.) <fes as! fes'>-.(\> <fes as fes'>-. |
+ <fes as fes'>4-. <es! as es'!>-. <des! as' des!>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ c''!16(-2 es c as as-3 c as es es-2 as es c |
+ c16-2 es c as as-3 c as es <g bes>8-.) r |
+ c'16( es c as as c as es es as es c |
+ c16 es c as as c as es <g bes>8-.) r |
+ % M.35
+ es''16(-2 as es c c-2 es c as as-3 c as es |
+ es16-2 as es c c-2 es c as <g bes>8-.) r |
+ es''16( as es c c es c as as c as es |
+ es16 as es c c es c as <g bes>8-.) r |
+ c16(-2 es c as as-2 c as es as8-.) r |
+ % M.40
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ % M.45
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.50
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ % M.55
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ \ottava #1
+ f='''16( a f c c f c a c8-.->) r |
+ f16( bes f des des f des bes-1 des8-.->) r |
+ f16( a f c c f c a c8-.->) r |
+ % M.60
+ f16( bes f des des f des bes-1 des8-.->) r |
+ as'!16( c as es es as es c es8-.) r |
+ as16( des as f f as f des f8-.) r |
+ as16( c as es es as es c es8-.) r |
+ as16( des as f f-2 as f des des-3 f des as |
+ % M.65
+ \ottava #0
+ as=''16(-2 des as f f-2 as f des des-3 f des as) |
+ as'16( des as f f as f des des f des as |
+ as16 des as f f as f des des f des as) |
+ des16-3( fes des bes bes-2 des bes ges des'-3 fes des bes |
+ bes16 des bes ges des' fes des bes bes des bes ges) |
+ % M.70
+ des'16->(-3 es des bes bes16-2 des bes ges des'->-3 es des bes |
+ bes16 des bes ges des'-> es des bes bes des bes ges) |
+ << {
+ es'4(-3 as 4 g-4 |
+ f4-3 des' bes |
+ bes4)(-5 as) as |
+ % M.75
+ as4(-5 g) g |
+ es4(-3 as g-4 |
+ f4 f' des-5 |
+ des4)( c)-4 c |
+ c4(-5 bes)-4 bes |
+ } \\
+ {
+ \times 2/3 {es,8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {des'8[ f, des]} \times 2/3 {bes'[ f des]} |
+ \times 2/3 {bes'8[ es, des]} \times 2/3 {as'[ es c]} \times 2/3 {as'[ es c]} |
+ % M.75
+ \times 2/3 {as'8[ es c]} \times 2/3 {g'[ es bes]} \times 2/3 {g'[ es bes]} |
+ \times 2/3 {es8[ c as]} \times 2/3 {as'[ es-2 c]} \times 2/3 {g'[ es c]} |
+ \times 2/3 {f8[ des as]} \times 2/3 {f''[ as, f]} \times 2/3 {des'[ f, des]} |
+ \times 2/3 {des'8[ as-2 f]} \times 2/3 {c'[ as es]} \times 2/3 {c'[ as es]} |
+ \times 2/3 {c'8[ es, des]} \times 2/3 {bes'[ es, des]} \times 2/3 {bes'[ es, des]} |
+ }
+ >>
+ % M.80
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c'16(-2 es c as as-2 c as es as8-.) r |
+ % M.85
+ des16(-3 f des as as-2 des as f as8-.) r |
+ es'16(-3 g es bes bes-2 es bes g bes8-.) r |
+ es16(-2 as es c c-2 es c as c8-.) r |
+ c,16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ % M.90
+ es'16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ c'16( es c as as c as es as8-.) r |
+ des16( f des as as des as f as8-.) r |
+ es'16( g es bes bes es bes g bes8-.) r |
+ % M.95
+ es16( as es c c-2 es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c es c as c8-.) r |
+ es16( g es bes bes es bes g bes8-.) r |
+ es16( as es c c-2 es c as as-3 c as es |
+ % M.100
+ es16-2 as es c c-2 es c as as-3 c as es) |
+ es'16( as es c c es c as as c as es |
+ es16 as es c c es c as es'-3 as es c)-1 |
+ \clef bass
+ as16(-2 c as es as c as es as c as es |
+ as16 c as es as c as es as c as es) |
+ % M.105
+ \clef treble
+ << {
+ as'2.~ |
+ as2. |
+ } \\
+ {
+ es16 ges es as, es' ges es as, es' ges es as, |
+ es'16 ges es as, es' ges es as, es' ges es as, |
+ }
+ >>
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ gis'2.
+}
+
+%%%% LEFT %%%%
+left = \relative c
+{
+ \global
+ % Music follows here.
+ as4-. <as' ces es>2~-3 |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ % M.5
+ <as ces es>4-_ <es bes' fes'>-.( <es bes' fes'>-. |
+ <es bes' fes'>4-. <es bes' es>-.-4 <es bes' des>-.-3) |
+ as,4-. <as' ces es>2~ |
+ <as ces es>2 <es bes' es>8-. r |
+ as,4-. <as' ces es>2~ |
+ % M.10
+ <as ces es>2 <es bes' es>8-. r |
+ <as ces es>4-_ <ges bes fes'>-.( <ges bes fes'>-. |
+ <ges bes fes'>4-. <ges bes es>-.-4 <ges bes d>-.-3) |
+ ces,4-. <ges' ces es>2~-4 |
+ <ges ces es>2 <ges fes'>8-. r |
+ % M.15
+ ces,4-. <ges' ces es>2~ |
+ <ges ces es>2 <ges fes'>8-. r |
+ <ces es>4-_ <ges fes'>-.( <ges fes'>-. |
+ <ges fes'>4-. <ges es'>-._4 <ges des'>-._3) |
+ b,4-. <fis' b d>2~_4 |
+ % M.20
+ <fis b d>2 <fis e'>8-. r |
+ b,4-. <fis' b d>2~ |
+ <fis b d>2 <fis e'>8-. r |
+ <b d>4-_ <a g'>-.( <a g'>-. |
+ <a g'>4-. <a fis'>-. <a_5 e'_1>-. |% <<a-.-5 e'-1>> |
+ % M.25
+ <b d>4-.) <fis e'>-.( <fis e'>-. |
+ <fis e'>4-. <fis-._4 cis'_1>-. <fis ais>-. |
+ <gis b>4-.) <des! as'! des!>-.( <des as' des>-. |
+ <des as' des>4-. <es!_4 as ces>-. <fes_3 as>-. |
+ <es as ces>4-.) <es as ces>-.( <es as ces>-. |
+ % M.30
+ <es_3 g bes>4-.) <es g bes>-.( <es g bes>-.) |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ % M.35
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4-. <es' as c>2~ |
+ <es as c>2 <es des'>8-. r |
+ as,4 <ges' as c>2 |
+ % M.40
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4 <ges' as c>2 |
+ des4-. <f as des>2 |
+ % M.45
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << { e=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4-2 es4.->-1 d8-1 |
+ % M.50
+ c4-2 es2->) |
+ es,=4(-2 as4.-> g8-1 |
+ f4-2 des'4.->-1 c8-1 |
+ bes4 es4.-> des8-1 |
+ c4-2 es4.-> c8 |
+ % M.55
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8) |
+ c4( f4.-> es8-2 |
+ des4-3 f4.-> des8-2 |
+ c4)( f4.-> es8 |
+ % M.60
+ des4 f4.-> des8 |
+ \clef treble
+ es4)( as4.-> ges8-1 |
+ f4-2 as4.-> f8 |
+ es4)( as4.-> ges8 |
+ f4) % end of polyphonic section
+ } \\
+ { as,,=,2. |
+ des2.-4 |
+ es2.-5 |
+ % M.50
+ as2.-3 |
+ as,=,2. |
+ des2.-4 |
+ es2. |
+ as2.-3 |
+ % M.55
+ es2. |
+ as2. |
+ f2. |
+ bes2.-4 |
+ f2. |
+ % M.60
+ f2.-4 |
+ \clef treble
+ as2. |
+ des2.-3 |
+ as2. |
+ des4 % end of polyphonic section
+ }
+ >>
+ r4 r | % beats 2 and 3 only; this eliminates redundant rests
+ % M.65
+ R2. |
+ as'8-1 r f r des r |
+ \clef bass
+ as8-1 r f r des r |
+ <ges, bes des fes>2 <ges bes des fes>4~ |
+ <ges bes des fes>4 <ges bes des fes>2 |
+ % M.70
+ <g bes des es>2 <g bes des es>4~ |
+ <g bes des es>4 <g bes des es>2 |
+ as2-3( c4 |
+ des4-2 bes des |
+ es2.)( |
+ % M.75
+ es,2.) |
+ as2-3( c4 |
+ des4 bes-5)
+ << {
+ bes'~-1 |
+ bes4( as-2) as~-1 |
+ as4( g-2) g-1 |
+ } \\
+ {
+ des(-4 |
+ es2.) |
+ es2. |
+ }
+ >>
+ % M.80
+ as,4-. <ges' as c>2 |
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ as,4-. <ges' as c>2 |
+ % M.85
+ des4-. <f as des>2 |
+ es,4-. <es' bes' des>2 |
+ as,4-. <es' as c>2 |
+ << {
+ es4( as4.-> g8-1 |
+ f4 des'4.-> c8-1 |
+ % M.90
+ bes4 es4.-> des8-1 |
+ c4-2 es2->) |
+ es,4( as4.-> g8 |
+ f4 des'4.-> c8 |
+ bes4 es4.-> des8 |
+ % M.95
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4 es4.-> c8 |
+ bes4)( es4.-> des8 |
+ c4)
+ } \\
+ {
+ as,2. | des2.-4 |
+ % M.90
+ es2. | as2.-3 | as,2. | des2. | es2. |
+ % M.95
+ as2. | es2. | as 2. | es2. | as4
+ }
+ >>
+ r4 r |
+ % M.100
+ R2. |
+ es'8-2 r c-1 r as r |
+ ees8 r c r es-2 r |
+ as,4-5 r r |
+ R2. |
+ % M.105
+ <c, as' c>2.~ |
+ <c as' c>2. |
+%% TRIO %%
+ \bar "||"
+ \key cis \minor
+ cis8 <gis'_4 cis e> <gis cis e> <gis cis e> <gis cis e> <gis cis e> |
+}
+
+
+%%%% DYNAMICS %%%%
+dynamics =
+{
+ s2.\pp |
+ R2.*3 |
+ % M.5
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.11
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.17
+ s4\< s\! s\> |
+ s2 s4\! |
+ R2.*4 |
+ % M.23
+ s4 s2\> |
+ s2 s4\! |
+ % M.25
+ s4\< s\! s\> |
+ s2 s4\! |
+ s4 s\f s\> |
+ s2 s4\! |
+ s4\p s2 |
+ % M.30
+ R2. |
+ s2.\pp |
+ R2.*3 |
+ % M.35
+ \crescTextCresc
+ s2.\< |
+ R2.*2 |
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ % M.40
+ R2.*3 |
+ s2.\< |
+ R2.*2 |
+ % M.46
+ s2 s8 s\! |
+ s16 s\pp s8 s2 |
+ R2.*3 |
+ % M.51
+ s2.\< |
+ R2.*5 |
+ % M.57
+ s32 s\f s8. s2 |
+ R2.*4 |
+ % M.62
+ s2.\< |
+ R2. |
+ % M.65
+ s32 s\ff s8. s2 |
+ R2.*3 |
+ s2\fz s4\fz |
+ % M.70
+ s4 s2\fz |
+ \dimTextDim
+ s8\> s\! s2 | % with this \! I eliminated the dashed line without tweaking settings
+ s32 s\p s8. s2 |
+ s16 s\pp s8 s2 |
+ % M.74
+ R2.*7 |
+ % M.81
+ s32 s\p s8. s2 |
+ R2.*3 |
+ % M.85
+ s2.\< |
+ R2.*3 |
+ s32 s\p s8. s2 |
+ % M.90
+ R2.*3 |
+ s32 s\f s8. s2 |
+ R2.*3 |
+ % M.97
+ s2.\< |
+ R2. |
+ s32 s\ff s8. s2 |
+ % M.100
+ R2.*8 |
+%% TRIO %%
+ s32 s\p s8. s2 |
+}
+
+
+
+%%%%%%%% SCORE %%%%%%%%
+
+% This is completely optional, but taken right from the LilyPond
+% reference manual. I wanted to ensure the right paper size, since
+% the default is A4. I also wanted to squeeze the music onto
+% fewer pages, since it seemed like there was a lot of vertical
+% space being wasted.
+\paper
+{
+ #(set-paper-size "letter")
+ between-system-padding = #0.1
+ ragged-last-bottom = ##f
+}
+
+% This is the standard, obligatory "score" section. Note the
+% addition of the extra \context commands in the "layout"
+% portion, which are for the piano-centred-dynamics.
+\score
+{
+ \new PianoStaff \with
+ {
+ instrumentName = "Piano"
+ }
+ <<
+ \new Staff = "right" \right
+ \new PianoDynamics = "dynamics" \dynamics
+ \new Staff = "left" { \clef bass \left }
+ >>
+
+ \layout
+ {
+ % Everything below here is for the piano dynamics.
+ % Define "PianoDynamics" context.
+ \context
+ {
+ \type "Engraver_group"
+ \name PianoDynamics
+ \alias Voice
+ \consists "Output_property_engraver"
+ \consists "Script_engraver"
+ \consists "New_dynamic_engraver"
+ \consists "Dynamic_align_engraver"
+ \consists "Text_engraver"
+ \consists "Skip_event_swallow_translator"
+ \consists "Axis_group_engraver"
+
+ \override DynamicLineSpanner #'Y-offset = #0
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ }
+
+ % Modify "PianoStaff" context to accept Dynamics context.
+ \context
+ {
+ \PianoStaff
+ \accepts PianoDynamics
+ }
+ % End of PianoDynamics code.
+ }
+}
diff --git a/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc b/publish/en-US/Fedora_Draft_Documentation/0.1/html-single/Musicians_Guide/files/SuperCollider/Method_One-optimized.sc
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// second part of the form -- I've substantially re-written this, so
+// that it can be easily used in other programs.
+//
+// Because of my defaults argument values, when called with
+var secondPart =
+{
+ arg number_of_SinOscs = 10,
+ pitch_low = 200,
+ pitch_high = 800,
+ pause_length = 5;
+
+ // new, personal clock, so we don't interfere with the global one
+ var t_c = TempoClock.new( 1 ); // 1 beat per second
+ var so = Array.new( number_of_SinOscs ); // holds the SinOsc's
+
+ // We'll need to know this, later.
+ var when_to_stop = ( 1 + ( pause_length * number_of_SinOscs ) );
+
+ // makes a stereo SinOsc with pseudo-random pitch between
+ // pitch_low and pitch_high
+ var func =
+ {
+ var freq = pitch_low + (pitch_high - pitch_low).rand;
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // play them starting on beat 1, then every pause_length beats thereafter
+ number_of_SinOscs.do(
+ {
+ arg time;
+ t_c.sched( (1+(time*5)), { so = so.add( func.play ); } );
+ });
+
+ // stop
+ t_c.sched( when_to_stop,
+ {
+ number_of_SinOscs.do( { arg index; so[index].free; } );
+ nil;
+ });
+
+ // I want to return this, so that a function calling me knows when
+ // I'm going to stop.
+ when_to_stop;
+};
+
+
+
+
+
+
+// first part of the form
+SynthDef.new( \FirstPart,
+{
+ // sets up the frequencies of both channels
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 ); // oscillating
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 ); // oscillating
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 ); // drone
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 ); // drone
+
+ // changes the volume of the oscillating part in the left channel
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // left channel
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ // right channel
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ Out.ar( 0, [left,right] );
+} ).send( s );
+
+// "Main" function
+{
+ var t_c = TempoClock.default;
+ var sound = nil; // holds currently-running "FirstPart"
+
+ t_c.tempo_( 1 ); // set the tempo to one beat per second
+
+ // Scheduling:
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+
+}.value;
+
+)
+
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+// "Method One"
+//
+// Composed for the Fedora Project's "Musicians' Guide."
+// Christopher Antila.
+//
+// Creative Commons CC-BY-SA 3.0
+// http://creativecommons.org/licenses/by-sa/3.0/
+
+(
+// The method is, "Choose something, and take it to the extreme."
+// Here I've chosen to take SinOsc to the extreme, so I use it in every
+// way that I can imagine. Of course, there are more and different ways
+// to use SinOsc.
+
+// When looking at this source code (as with any SuperCollider source
+// file), keep in mind that there will be other ways to achieve the
+// same end result. I always find it helpful to arrange my code in
+// such a way as to make it easily understood.
+
+
+
+
+
+
+// I'm creating a new TempoClock and assigning it to "t_c". This
+// way, when I change the tempo later, it won't be interfering with
+// the default TempoClock (which is TempoClock.default). It must be
+// declared here, so that all of the functions in the file can access
+// it, and I've put it first because, in each "scope," all var objects
+// must be declared before anything else. Really, I could have written:
+// var t_c;
+// here, and only run:
+// t_c = TempoClock.new;
+// later. There is no benefit to that *for this file*, so they're together.
+var t_c = TempoClock.new;
+
+
+
+
+
+
+// This is the function that, when executed (by calling
+// secondPart.value ), will produce the second part of this simple
+// three-part form. Because it's assigned to a "var", it needs to
+// be placed above the first part, which is a SynthDef sent to the
+// server.
+//
+// I've written this as a function, rather than as a SynthDef. The
+// intention is that it sounds different every time it is heard, which
+// is why I use pseudo-randomness in the "func" sub-function (see
+// inside). If this had been written as a SynthDef, then the pitches
+// would be calculated pseudo-randomly *once* and every time a new
+// Synth was created from it, it would have the same pitches. Because
+// it's a function, however, the pitches are generated pseudo-randomly
+// every time the function is run.
+//
+// Since the function is only run once in the execution of this
+// program, you may be wondering why it matters. Every time the
+// program is run, the SynthDef would be re-calculated and sent to the
+// server again. In other words, every time the program is run, this
+// middle section will sound different whether it's a SynthDef or a
+// function.
+//
+// This is true, but one of the principles of good programming is
+// to allow for maximum flexibility. If I later wanted to add another
+// playing of "secondPart" to the program, I can do that easily, and
+// it would produce different pitches each time. I might also want to
+// take this function and put it into a different program, and writing
+// it as a function again allows for greater flexibility. Besides, if
+// I decided that I wanted a SynthDef, it's easy to get one from a
+// function (in fact, it's impossible to get one without a function!)
+// SynthDef.new( "SecondPart", secondPart ).send( s );
+// But you can't get the function out of a SynthDef.
+var secondPart =
+{
+ // This creates a new array with the ability to hold ten objects of
+ // any sort. It's going to be used to hold each of the SinOsc
+ // objects that are created in this section. By using an array
+ // (in SuperCollider called "ArrayedCollection"), I don't have to
+ // worry about code like this:
+ // var so_1;
+ // var so_2;
+ // ...
+ // var so_10;
+ // to hold the ten SinOsc's.
+ var sounds = Array.new( 10 );
+
+ // This generates a pseudo-random number to use as the pitch or
+ // frequency (here meaning the same thing), and then creates two
+ // equal SinOsc's on either side of the stereo image.
+ var func =
+ {
+ // a_number.rand means "generate a pseudo-random number between
+ // 0 and a_number". I've added 200 to this because frequencies
+ // below 200 aren't particularly useful, in terms of pitch. So
+ // the result of this is a number between 200 and 800.
+ var freq = 200 + 600.rand;
+
+ // This is what the function returns, and it's why you can "play"
+ // the function. When you run func.play, you aren't actually
+ // playing func, but rather you're playing what func returns.
+ [ SinOsc.ar( freq:freq, mul:0.01),
+ SinOsc.ar( freq:freq, mul:0.01) ];
+ };
+
+ // This part could certainly be written more elegantly (that is, with
+ // less pointless repetition). When programming, whether for audio
+ // or any other reason, repetition is usually regarded as the
+ // enemy of good code. What if I wanted to change the time between
+ // the addition of each object, from 5 beats to 6? What if I wanted
+ // to change the number of objects from 10 to 300? Worse still,
+ // what if I made a typing mistake in one line, and copy-and-pasted
+ // it to all the others? I would have to correct them all. What
+ // a pain!
+ //
+ // As an exercise, try to make this more efficient. You'll need
+ // to read up on "control structures" (see the SuperCollider help
+ // files). It's possible to work these ten lines into one - in
+ // fact, it's recommended!
+ t_c.sched( 1, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 6, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 11, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 16, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 21, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 26, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 31, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 36, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 41, { sounds = sounds.add( func.play ); } );
+ t_c.sched( 46, { sounds = sounds.add( func.play ); } );
+
+ // This will stop all the sounds held in "sounds". The last "nil"
+ // is required as a return value for the function, or else the .do
+ // function will return "10", which t_c.sched() interprets as meaning
+ // "run me again 10 beats after I finish." This isn't disastrous,
+ // as it might be in a more complex program, but it would give a
+ // lot of error messages to anybody watching the "SuperCollider
+ // output" pane.
+ t_c.sched( 51, { 10.do( { arg index; sounds[index].free; } ); nil; } );
+
+};
+
+
+
+
+
+
+// This SynthDef represents the first part of the piece. Note that
+// because the concluding brace is followed by ".send(s)", this
+// definition gets sent to the server. Although we have no local var
+// that points to this SynthDef, we can use Synth.new( "FirstPart" ),
+// because the server knows what "FirstPart" is.
+//
+// I've chosen to write this as a SynthDef because it does not need
+// to change when it is played. It is intended to always sound the same,
+// so there is no reason for the server to re-calculate everything
+// each time it is to be played. This is not the case for the second
+// part (see above).
+//
+// Above, I claimed it's impossible to get a SynthDef
+// without a function. Although "FirstPart" may look like a SynthDef
+// without a function, the function simply isn't named, but it does
+// start at the { and end at the }. So, why not declare this as a
+// function, then make a SynthDef below it, like this?
+// SynthDef.new( "FirstPart", firstPart ).send( s );
+// Personal preference, really. This format makes it more clear that
+// "FirstPart" is only intended to be run as a Synth, and it also avoids
+// the very minor computational slow-down that would have been involved
+// with declaring a function, and a SynthDef from that.
+SynthDef.new( \FirstPart,
+{
+ // These set and modulate the frequency emitted by the left and
+ // right channels, respectively.
+ //
+ // What I've called "drone" is the slowly-moving pitches.
+ //
+ // "freq" changes how quickly the frequency changes
+ // "mul" changes the range of oscillation
+ // "add" is the lowest frequency it will hit
+ //
+ // The resulting frequency goes between "add" and "add + mul",
+ // and it reaches each extreme "freq" times per second
+ var frequencyL = SinOsc.kr( freq:10, mul:200, add:400 );
+ var frequencyR = SinOsc.kr( freq:1, mul:50, add:150 );
+ var frequencyL_drone = SinOsc.kr( freq:0.03, mul:20, add:100 );
+ var frequencyR_drone = SinOsc.kr( freq:0.01, mul:20, add:210 );
+
+ // This will change the volume of the left audio channel.
+ // It was annoying when too loud for too long.
+ //
+ // It means that the volume will go between 0.03 and 0.05, reaching
+ // the extremes once every two seconds.
+ var volumeL = SinOsc.kr( freq:0.5, mul:0.02, add:0.03 );
+
+ // This is where I'm compiling the sound generators themselves.
+ // Notice that all the SinOsc's above were SinOsc.kr(), for "kontrol,"
+ // and all the ones here are SinOsc.ar(), for "audio." I use array
+ // notation, which is the [ ] brackets, several times. This allows
+ // multiple SinOsc calls with different arguments, and within each
+ // call it allows multiple audio streams to be outputted, with
+ // different frequencies. While you might expect there to by
+ // multi-channel audio created from this, that's not the case,
+ // because everything assigned to "left" or "right" is ultimately
+ // played below. More on that later...
+ var left = [ SinOsc.ar( freq:frequencyL, mul:volumeL ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyL_drone,2*frequencyL_drone], mul:0.02 ), // the rest make up the drone; the numbers are close to the 2^x series
+ SinOsc.ar( freq:[5*frequencyL_drone,7*frequencyL_drone], mul:0.005 ),
+ SinOsc.ar( freq:[13*frequencyL_drone,28*frequencyL_drone], mul:0.001 ) ];
+
+ var right = [ SinOsc.ar( freq:frequencyR, mul:0.1 ), // this is the oscillating part
+ SinOsc.ar( freq:[frequencyR_drone,2*frequencyR_drone], mul:0.02 ), // the rest make up the drone
+ SinOsc.ar( freq:4*frequencyR_drone, mul:0.005 ),
+ SinOsc.ar( freq:[64*frequencyR_drone,128*frequencyR_drone], mul:0.01 ) ]; // high frequencies!
+
+ // This stereo mix is what ultimately gets played. Notice that
+ // any multichannel effects created while mixing "left" and "right"
+ // are ignored here, and all the sound from each variable is put
+ // into one channel: all of the channels from "left" get played in
+ // the new left channel, and all of the channels from "right" get
+ // played in the new right channel.
+ //
+ // Try commenting the array, and play "left" and "right" by
+ // uncommenting the following lines, one at a time. When you do
+ // that, the multichannel mix of the variable is preserved, which
+ // may lead to a surprising result (if it doesn't, listen more
+ // carefully, and compare to the original).
+ //
+ // For an explanation, go read about busses, and keep in mind
+ // that this array doesn't create "left" and "right" channels,
+ // but rather plays to busses 0 and 1, which usually wind up being
+ // played through the speakers as "left" and "right" channels.
+ Out.ar( 0, [left,right] );
+
+} ).send( s );
+
+
+
+
+
+
+// This is the equivalent of the "main" function in a C-like language,
+// which basically "causes" everything else to happen. It's important
+// to include the ".value;" at the end, or else executing the program
+// would result in "a Function" in the output pane, and no sound.
+{
+ // This will hold the currently-running instance of "FirstPart".
+ // I've set it to 0 now as a matter of habit, like initializing an
+ // int in C.
+ var sound = 0;
+
+ // This sets the tempo to one beat per second; in effect, t_c now
+ // counts in seconds.
+ t_c.tempo_( 1 );
+
+ // This schedules events to take place. By number of beats after start:
+ // 1: "FirstPart" starts to play.
+ // 60: "FirstPart" is silenced.
+ // 60: secondPart is engaged (but starts to play only on beat 61).
+ // 112: "FirstPart" starts to play.
+ // 142: "FirstPart" is silenced.
+ t_c.sched( 1, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 61, { sound.free; } );
+ t_c.sched( 61, { secondPart.value; nil; } ); // this takes 51 beats to complete
+ t_c.sched( 113, { sound = Synth.new( \FirstPart ); } );
+ t_c.sched( 143, { sound.free; } );
+ // I could have simply "paused" the \FirstPart synth, but then it
+ // wouldn't necessarily re-start at the same point in the oscillation
+ // as it did when first created.
+}.value;
+
+)
+
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